埃及埃尔奥瓦纳特岩石艺术中人物运动的意义

Zakaria Mahmoud Mohamed AL Hady
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摘要

本研究旨在研究奥瓦纳特地区岩石艺术中人物运动的意义,那里的人物具有许多区分彼此的动力学含义。在后来的历史阶段,碑文中比喻形式的运动是导致意义变化的第一个支柱,这些形式被用作词语的专有名词。碑文中的这些运动具有特定含义的内涵。许多人类形式的动力学含义出现在Jabal Al-Awainat的岩石艺术中,例如手的运动或狩猎工具或战斗工具的出现。所以外推出现了(狩猎)、(动物约束)、(陷阱狩猎)、(套索钓鱼)和(狩猎)的场景。用绳子和(地面陷阱捕鱼)。人体运动的含义是图形含义的最佳证据,必须加以关注,研究和努力才能准确地推断出古人所寻求的真正含义,这是研究将详细处理的内容。
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Meaning of the movement of the human figure in the rock Art in El Owainat of Egypt
: This research aims to study the significance of the movement of the human figure in rock art in the Owainat area, where the human figures had many kinetic implications that distinguished each form the other. The movement in the inscriptions figurative forms is the first pillar that led to the change of meaning and the use of these forms as appropriations of words in the later historical stage, These movements in the inscriptions had connotations that had a specific meaning, Many kinetic implications of the human form appeared in the rock art of Jabal Al-Awainat such as the movement of the hands or the appearance of hunting tools or fighting tools, so extrapolations appeared for scenes indicating (hunting), (animal restraint), (hunting with traps), (fishing with noose) and (hunting). with ropes) and (ground traps fishing). The implications of the movement of the human figure were the best evidence of the meaning of the figure, which must be paid attention to, studied and worked to be extrapolated accurately to reach the true meaning that the ancient man was seeking, which is what the research will deal with in some detail.
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