{"title":"它是如何发生的","authors":"R. Haysom","doi":"10.7560/316849-002","DOIUrl":null,"url":null,"abstract":"Peter Booth`s apocalyptic Burning City and Head stemmed from wartime experiences in Britain. Employing Friedrich`s Wanderer in the Sea of Fog as a portent of Germany`s imperialism, my painting collapses vision into nightmare, drawing in German artists Beuys and Rauch, caught up in a horrendous and inescapable legacy.","PeriodicalId":130049,"journal":{"name":"Blood Orchid","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"How It Came to Pass\",\"authors\":\"R. Haysom\",\"doi\":\"10.7560/316849-002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Peter Booth`s apocalyptic Burning City and Head stemmed from wartime experiences in Britain. Employing Friedrich`s Wanderer in the Sea of Fog as a portent of Germany`s imperialism, my painting collapses vision into nightmare, drawing in German artists Beuys and Rauch, caught up in a horrendous and inescapable legacy.\",\"PeriodicalId\":130049,\"journal\":{\"name\":\"Blood Orchid\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blood Orchid\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/316849-002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blood Orchid","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/316849-002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Peter Booth`s apocalyptic Burning City and Head stemmed from wartime experiences in Britain. Employing Friedrich`s Wanderer in the Sea of Fog as a portent of Germany`s imperialism, my painting collapses vision into nightmare, drawing in German artists Beuys and Rauch, caught up in a horrendous and inescapable legacy.
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