{"title":"论16世纪至17世纪上半叶俄罗斯教堂壁画中“大入口”的肖像构图的起源","authors":"D. Denisov","doi":"10.15382/STURV201933.62-76","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":134507,"journal":{"name":"St.Tikhons' University Review. Series V. Christian Art","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On the origin of the iconographic composition “The Great Entrance” in russian church frescos of the 16th — first half of the 17th centuries\",\"authors\":\"D. Denisov\",\"doi\":\"10.15382/STURV201933.62-76\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":134507,\"journal\":{\"name\":\"St.Tikhons' University Review. Series V. Christian Art\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"St.Tikhons' University Review. Series V. Christian Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15382/STURV201933.62-76\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"St.Tikhons' University Review. Series V. Christian Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15382/STURV201933.62-76","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}