1967年2月

J. Obrecht
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引用次数: 0

摘要

在采访中,吉米将其归功于鲍勃·迪伦、罗伯特·约翰逊、浑水和其他影响;讨论了他的乐队的表演方法;还鄙视猴子乐队随着“体验”乐队在英国的巡回演出,乐队在音乐杂志和英国当地报纸上得到了广泛的报道,但不幸和无情的节奏让吉米、米奇和诺埃尔付出了代价。在录音室里,乐队完成了《Fire》、《Foxey Lady》、《I Don’t Live Today》和《Purple Haze》。由于他的Fender Stratocaster无法使用,Jimi用标准弦,翻转,右手的Fender Telecaster录制了他标志性的“Purple Haze”独奏。2月16日签署的一份出版协议证实,亨德里克斯在六周的时间里创作了十多首他最经久不衰的歌曲。为Melody Maker撰稿的保罗·麦卡特尼对“the great Twinkle Teeth Hendrix”新发行的单曲《Purple Haze》赞不绝口!
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February 1967
In interviews, Jimi credits Bob Dylan, Robert Johnson, Muddy Waters, and other influences; discusses his band’s approach to performing; and disses the Monkees. As the Experience tours extensively in the U.K., the band receives widespread coverage in music magazines and local British newspapers, but mishaps and the relentless pace take their toll on Jimi, Mitch, and Noel. In studio sessions, the band completes “Fire,” “Foxey Lady,” “I Don’t Live Today,” and “Purple Haze.” With his Fender Stratocaster out of commission, Jimi records his iconic “Purple Haze” solos with a standard-strung, flipped-over, right-handed Fender Telecaster. A publishing agreement signed on February 16 confirms that Hendrix has composed more than a dozen of his most enduring songs during a six-week period. Writing for Melody Maker, Paul McCartney pens a rave review of the newly-released “Purple Haze” single by “the great Twinkle Teeth Hendrix!”
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Setting the Stage September 1966 November 1966 March 1967 May 1967
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