视觉垃圾的视觉生态学研究

A. Latypova, Alexander S. Lenkevich, D. Kolesnikova, K. Ocheretyany
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引用次数: 1

摘要

下面的文章探讨了视觉垃圾的概念,并考虑了其回收、升级和使用的各种策略。视觉垃圾是在媒体领域发展和垃圾本身理论的背景下进行研究的。作者建议分析视觉垃圾利用的方法,如视觉伪装和故障艺术,并根据亚里士多德的因果关系概念来考察视觉垃圾回收的原则。将垃圾理解为一种媒介,不仅可以揭示其流通的特征,而且可以将垃圾视为知识积累的来源。此外,它有助于找到新的社会、政治和美学策略来理解当代性,这反过来又使我们能够得出关于视觉垃圾未开发潜力的结论。视觉垃圾不仅成为视觉污染的来源,同时也蕴含着现实转化的资源。为了确定视觉污染的标准,有必要考察垃圾的表演生产力及其作为中介工具的作用。
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Study of Visual Garbage as Visual Ecology Perspective
The following article explores the notion of visual garbage and considers various strategies for its recycling, upcycling, and use. Visual garbage is investigated in the context of media sphere development and the theory of garbage itself. The authors propose to analyse such approaches of visual garbage use, as visual camouflage and glitch art, as well as to examine the principles of visual garbage recycling in terms of the Aristotelian conception of causality. Understanding garbage as a medium helps not only to uncover the features of its circulation, but also to consider garbage as a source of knowledge accumulation. Moreover, it helps to find new social, political and aesthetic strategies for understanding contemporaneity, which in turn allows us to draw conclusions about the untapped potential of visual garbage. Visual garbage not only becomes a source of visual pollution, but also contains a resource for reality conversion. In order to determine the criteria for visual pollution, it is necessary to examine the performative productivity of garbage and its effect as a mediating tool.
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