Slash and Burn:过渡时期的剥削恐怖电影

C. Waddell
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引用次数: 0

摘要

这是关于剥削恐怖电影的最后一章,重点介绍了这种形式在20世纪70年代是如何演变的,直到20世纪70年代末,更“可怕”的特效魔法的出现为更广泛的类型做好了准备。我确信乔治·罗梅罗(George Romero)的电影《马丁》(Martin)是这一因素的前奏——《万圣节》预示着时尚电影的新市场,可以与好莱坞最大、最好的电影竞争。与硬核色情片一样,恐怖电影在20世纪80年代发展成为录像带的主要内容——可以说是《最后的房子》等经典影片中坚韧精神、对抗性的恐怖电影的真正血统。
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Slash and Burn: The Exploitation-Horror film in Transition
This concluding chapter about exploitation-horror cinema focuses on how the form evolved in the 1970s before concluding when the advent of more ‘gruesome’ special effects wizardry prepared the wider genre from a period of change at the end of the decade. I ascertain that George Romero’s film ‘Martin’ was the prelude to this factor – with ‘Halloween’ predicting a new market for stylish productions that could compete against Hollywood’s biggest and best. As with hardcore sex films, horror films would develop into a VHS staple in the 1980s – arguably the true lineage of the gritty, confrontational horror of such classics as ‘The Last House on the Left’.
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