透视运动美学成像

L. Malafouris, R. Carnegie, Miranda Creswell, A. Iliopoulos, M. Koukouti, Wendy Ross
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摘要

透视运动美学成像被提议作为一种方法,旨在促进在与产生形式的材料创造性接触期间,制作和思考之间关系的人类学研究所需的高度敏感性。从技术上讲,这个目标是通过在制作过程中透视视角的并置来实现的。我们使用多模态视觉捕捉(即摄影,视频,观察绘画和移动眼动追踪)的组合来跟踪手的方式。这些多模态视觉捕捉中的每一个都提供了一个特定的时空视角,从中可以识别和观察感兴趣的形态发生事件(例如创造性手势和动作意义模式)。基本的想法是,不同媒介的并置影响我们如何观察和可以观察什么,通过发现联系和物质关系,这些联系和物质关系往往从单一的角度来看是模糊的。
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Perspectival Kinaesthetic Imaging
Perspectival Kinaesthetic Imaging is being proposed as a method designed to facilitate the heightened sensitivity needed for the anthropological study of the relationship between making and thinking, during the creative engagement with form-generating materials. Technically, this objective is achieved through the juxtaposition of perspectival view points on the process of making. We follow the ways of the hand using a combination of multimodal visual captures (i.e., photography, video, observational drawing and mobile eye-tracking). Each of these multimodal visual captures affords a specific spatio-temporal perspective from which to identify and observe morphogenetic events of interest (e.g. creative gestures and modes of enactive signification). The basic idea is that the juxtaposition of different media affects how we observe and what can be observed by enabling the discovery of connections and material relations that are often obscured when seen from a single perspectival point.
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