光-音-动觉(OPK):为专家表演者设计基于动作的互动

Steve Gibson
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引用次数: 6

摘要

OPK (Opto-Phono-Kinesia)是一种视听表演作品,其中所有媒体元素都由单个表演者的身体动作控制。标题是对一种可能的联觉状态的发挥,这种状态涉及视觉、声音和身体运动之间的联系。理论上,对于经历这种状态的人来说,一种特定的颜色可能会触发声音和身体动作。在OPK中通过身体运动的同时性和视听效果来模拟这种联觉交集。使用手势和媒体系统3.0运动跟踪系统,表演者可以使用两个小型红外跟踪器动态操纵沉浸式环境。该项目采用基于形式化模型的多部分界面设计,在视觉-声音-身体映射中增加复杂性,因此最好由具有强大空间记忆和高级音乐能力的专业表演者来执行。OPK利用“身体作为体验、工具和界面”[1]对大尺度环境进行控制。
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Opto-Phono-Kinesia (OPK): Designing Motion-Based Interaction for Expert Performers
Opto-Phono-Kinesia (OPK) is an audio-visual performance piece in which all media elements are controlled by the body movements of a single performer. The title is a play on a possible synesthetic state involving connections between vision, sound and body motion. Theoretically, for a person who experiences this state, a specific colour could trigger both a sound and a body action. This synesthetic intersection is simulated in OPK by simultaneity of body movement, and audio-visual result. Using the Gesture and Media System 3.0 motion-tracking system, the performer can dynamically manipulate an immersive environment using two small infrared trackers. The project employs a multipart interface design based on a formal model of increasing complexity in visual-sound-body mapping, and is therefore best performed by an expert performer with strong spatial memory and advanced musical ability. OPK utilizes the "body as experience, instrument and interface" [1] for control of a large-scale environment.
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