人物景观

R. Campo
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引用次数: 0

摘要

在他的第四部也是最引人注目的诗集《风景与人物》中,拉斐尔·坎波确认了他作为美国最重要诗人之一的地位。他的前任威廉·卡洛斯·威廉姆斯(William Carlos Williams)也是一名医生,坎波和他一样,深入探究了我们的同理心能力。坎波在学院之外写出了令人惊叹的、坦率的诗歌,无论是在荒凉的波士顿公寓里还是在月光下的西班牙广场上,他的诗歌都同样美丽,他的诗歌毫不畏惧地探索和庆祝他作为医生和古巴裔美国同性恋者的身份。然而,无论诗歌的灵感来源是什么,坎波的诗歌始终在提醒我们,在我们日益分裂的社会中,诗歌本身是必要的;他的作品把我们聚集在一起——就像人类最早的治疗者的咒语一样——进入社区和联系的温暖圈子。拉斐尔·坎波在这部令人揪心、难以忘怀、最终充满人性的作品中,仿佛用血液和呼吸描绘了一个华丽复杂的世界,在这个世界里,我们每个人都可以被找到。
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Landscape with Human Figure
In Landscape with Human Figure, his fourth and most compelling collection of poetry, Rafael Campo confirms his status as one of America’s most important poets. Like his predecessor William Carlos Williams, who was also a physician, Campo plumbs the depths of our capacity for empathy. Campo writes stunning, candid poems from outside the academy, poems that arise with equal beauty from a bleak Boston tenement or a moonlit Spanish plaza, poems that remain unafraid to explore and to celebrate his identity as a doctor and Cuban American gay man. Yet no matter what their unexpected and inspired sources, Campo’s poems insistently remind us of the necessity of poetry itself in our increasingly fractured society; his writing brings us together—just as did the incantations of humankind’s earliest healers—into the warm circle of community and connectedness. In this heart-wrenching, haunting, and ultimately humane work, Rafael Campo has painted as if in blood and breath a gorgeously complex world, in which every one of us can be found.
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