NMDNI项目

Aleksey A. Tselykovskiy, I. Suslov, Andrey G. Ivanov, Serguey P. Sidorov
{"title":"NMDNI项目","authors":"Aleksey A. Tselykovskiy, I. Suslov, Andrey G. Ivanov, Serguey P. Sidorov","doi":"10.46539/gmd.v5i1.330","DOIUrl":null,"url":null,"abstract":"The article is devoted to the study of the social reception of the Soviet past in the contemporary Russian media practice. The authors proceeded from the hypothesis that the specifics of the reproduction and perception of media images representing the Soviet period of history can be revealed through the social phenomenon of nostalgia. The authors distinguish two types of nostalgia: reflexive and restorative. The research interest is focused on the reflexive type of nostalgia as a process of formation of mythologized and idealized images of the past. In addition, the study uses the concept of post-memory proposed by M. Hirsch. Leonid Parfyonov’s Internet project “NMDNI” was used as an example of such a mediator, which also represents a reflexive type of nostalgia. The purpose of the study was the viewers’ reaction to the content of the project. Thus, the aim of the article is to study the impact of the media strategies of constructing the image of the USSR on the YouTube audience. Active viewers’ reaction in the YouTube-project “NMDNI” allows us to consider Leonid Parfyonov as a significant subject of the construction of the post-memory of the Soviet Union. As a result of the analysis of the most popular comments, it was concluded that there is a public demand for reflective nostalgia as a way of perceiving the Soviet past.","PeriodicalId":393706,"journal":{"name":"Galactica Media: Journal of Media Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The “NMDNI” Project\",\"authors\":\"Aleksey A. Tselykovskiy, I. Suslov, Andrey G. Ivanov, Serguey P. Sidorov\",\"doi\":\"10.46539/gmd.v5i1.330\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to the study of the social reception of the Soviet past in the contemporary Russian media practice. The authors proceeded from the hypothesis that the specifics of the reproduction and perception of media images representing the Soviet period of history can be revealed through the social phenomenon of nostalgia. The authors distinguish two types of nostalgia: reflexive and restorative. The research interest is focused on the reflexive type of nostalgia as a process of formation of mythologized and idealized images of the past. In addition, the study uses the concept of post-memory proposed by M. Hirsch. Leonid Parfyonov’s Internet project “NMDNI” was used as an example of such a mediator, which also represents a reflexive type of nostalgia. The purpose of the study was the viewers’ reaction to the content of the project. Thus, the aim of the article is to study the impact of the media strategies of constructing the image of the USSR on the YouTube audience. Active viewers’ reaction in the YouTube-project “NMDNI” allows us to consider Leonid Parfyonov as a significant subject of the construction of the post-memory of the Soviet Union. As a result of the analysis of the most popular comments, it was concluded that there is a public demand for reflective nostalgia as a way of perceiving the Soviet past.\",\"PeriodicalId\":393706,\"journal\":{\"name\":\"Galactica Media: Journal of Media Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-02-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Galactica Media: Journal of Media Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.46539/gmd.v5i1.330\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Galactica Media: Journal of Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46539/gmd.v5i1.330","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文致力于研究当代俄罗斯媒体实践中对苏联历史的社会接受。作者从假设出发,认为通过怀旧的社会现象可以揭示代表苏联历史时期的媒介形象的再现和感知的细节。作者将怀旧分为两种类型:反射性怀旧和恢复性怀旧。研究兴趣集中在反思类型的怀旧作为一个过程的形成神话和理想化的过去的形象。此外,本研究采用了M. Hirsch提出的后记忆概念。Leonid Parfyonov的互联网项目“NMDNI”被用作这种中介的一个例子,它也代表了一种反射型的怀旧。这项研究的目的是观众对项目内容的反应。因此,本文的目的是研究构建苏联形象的媒体策略对YouTube受众的影响。活跃的观众在youtube项目“NMDNI”中的反应,让我们可以将列昂尼德·帕尔菲约诺夫视为构建苏联后记忆的重要主体。通过对最受欢迎的评论的分析,我们得出的结论是,公众对反思怀旧的需求是一种感知苏联过去的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The “NMDNI” Project
The article is devoted to the study of the social reception of the Soviet past in the contemporary Russian media practice. The authors proceeded from the hypothesis that the specifics of the reproduction and perception of media images representing the Soviet period of history can be revealed through the social phenomenon of nostalgia. The authors distinguish two types of nostalgia: reflexive and restorative. The research interest is focused on the reflexive type of nostalgia as a process of formation of mythologized and idealized images of the past. In addition, the study uses the concept of post-memory proposed by M. Hirsch. Leonid Parfyonov’s Internet project “NMDNI” was used as an example of such a mediator, which also represents a reflexive type of nostalgia. The purpose of the study was the viewers’ reaction to the content of the project. Thus, the aim of the article is to study the impact of the media strategies of constructing the image of the USSR on the YouTube audience. Active viewers’ reaction in the YouTube-project “NMDNI” allows us to consider Leonid Parfyonov as a significant subject of the construction of the post-memory of the Soviet Union. As a result of the analysis of the most popular comments, it was concluded that there is a public demand for reflective nostalgia as a way of perceiving the Soviet past.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
The Prospects for the Development of Territorial Branding in the Context of the Experience Economy Beyond Usability: A Critical Analysis of Interface Research Asymmetry of Screen and Book Culture Descartes and the Irrational Mediatization of School Shooting (Сolumbine) in Fan Literature
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1