戴上和摘下面具:表演伪装的层次

P. Butterworth
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引用次数: 0

摘要

摘要:在观众众目睽睽之下,表演者戴上和摘下面具,创造了表演者和观众之间的瞬间转换。一层又一层的伪装被创造或改变,告知或模糊观众和/或人物的理解。这些时刻在表演中转变和发展了戏剧的情节。人物的启示是通过戴上面具和摘下面具来创造的。在制作木乃伊的过程中,取下面具是为了揭示“参与者”。在戏剧中,转变的时刻揭示了人物的特征或身份的变化。这些转折点不仅会改变表演者和观众之间的关系,而且还会影响和制约表演事件的结构,无论这是一出戏还是一系列的哑剧。这些关键时刻就是本文的主题。
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Putting On and Removing the Mask: Layers of Performance Pretence
Abstract:Donning and removing the performer's mask in full view of spectators creates an instant transformation between performer and spectator. Layers of pretence are created or changed which inform or obscure spectator and/or personage understanding. These moments turn and develop the action of the play in performance. Revelations of the personage are created by both donning the mask and removing it. In mumming practices, removal of the mask takes place in order to reveal the 'participant'. In plays, the moment of transformation reveals changed characteristics or identity of the personage. Not only do these kinds of turning points change performer/audience relationships, but they also affect and condition the structure of the performed event whether this be a play or sequence of mumming. Such pivotal moments are the subject of this article.
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