{"title":"戴上和摘下面具:表演伪装的层次","authors":"P. Butterworth","doi":"10.12745/ET.21.1.3261","DOIUrl":null,"url":null,"abstract":"Abstract:Donning and removing the performer's mask in full view of spectators creates an instant transformation between performer and spectator. Layers of pretence are created or changed which inform or obscure spectator and/or personage understanding. These moments turn and develop the action of the play in performance. Revelations of the personage are created by both donning the mask and removing it. In mumming practices, removal of the mask takes place in order to reveal the 'participant'. In plays, the moment of transformation reveals changed characteristics or identity of the personage. Not only do these kinds of turning points change performer/audience relationships, but they also affect and condition the structure of the performed event whether this be a play or sequence of mumming. Such pivotal moments are the subject of this article.","PeriodicalId":422756,"journal":{"name":"Early Theatre: A Journal associated with the Records of Early English Drama","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Putting On and Removing the Mask: Layers of Performance Pretence\",\"authors\":\"P. Butterworth\",\"doi\":\"10.12745/ET.21.1.3261\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Donning and removing the performer's mask in full view of spectators creates an instant transformation between performer and spectator. Layers of pretence are created or changed which inform or obscure spectator and/or personage understanding. These moments turn and develop the action of the play in performance. Revelations of the personage are created by both donning the mask and removing it. In mumming practices, removal of the mask takes place in order to reveal the 'participant'. In plays, the moment of transformation reveals changed characteristics or identity of the personage. Not only do these kinds of turning points change performer/audience relationships, but they also affect and condition the structure of the performed event whether this be a play or sequence of mumming. Such pivotal moments are the subject of this article.\",\"PeriodicalId\":422756,\"journal\":{\"name\":\"Early Theatre: A Journal associated with the Records of Early English Drama\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Theatre: A Journal associated with the Records of Early English Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12745/ET.21.1.3261\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Theatre: A Journal associated with the Records of Early English Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12745/ET.21.1.3261","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Putting On and Removing the Mask: Layers of Performance Pretence
Abstract:Donning and removing the performer's mask in full view of spectators creates an instant transformation between performer and spectator. Layers of pretence are created or changed which inform or obscure spectator and/or personage understanding. These moments turn and develop the action of the play in performance. Revelations of the personage are created by both donning the mask and removing it. In mumming practices, removal of the mask takes place in order to reveal the 'participant'. In plays, the moment of transformation reveals changed characteristics or identity of the personage. Not only do these kinds of turning points change performer/audience relationships, but they also affect and condition the structure of the performed event whether this be a play or sequence of mumming. Such pivotal moments are the subject of this article.