两只撒玛利亚人《浮士德》海因里希·海涅的芭蕾舞的管风琴和风格(1851)

{"title":"两只撒玛利亚人《浮士德》海因里希·海涅的芭蕾舞的管风琴和风格(1851)","authors":"","doi":"10.1515/9783110759815-017","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":197883,"journal":{"name":"Tanz in der Literatur","volume":"69 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"2 Vom „Teufelsweib umtänzelt“. Disziplin und Frivolität des Balletts in Heinrich Heines Der Doktor Faust (1851)\",\"authors\":\"\",\"doi\":\"10.1515/9783110759815-017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":197883,\"journal\":{\"name\":\"Tanz in der Literatur\",\"volume\":\"69 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tanz in der Literatur\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9783110759815-017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tanz in der Literatur","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9783110759815-017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}