{"title":"“你在这里看到的一切,要么是闹鬼,要么是被诅咒的,要么是被用来进行某种仪式的。”或者是《无尽的魔法宇宙》","authors":"K. Wetmore","doi":"10.2307/j.ctv1s5nwvc.7","DOIUrl":null,"url":null,"abstract":"The sequels, prequels and other films of the so-called “Conjuring Universe” are analysed in relationship to the original, and considered as to how they shape, expand, and sometimes contradict the ever-growing milieu of the films. Analysed in this chapter are Annabelle, The Conjuring 2, Annabelle: Creation, The Curse of La Llorona, The Nun, and Annabelle Comes Home.","PeriodicalId":391505,"journal":{"name":"The Conjuring","volume":"36 6","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Everything you see in here is either haunted, cursed, or has been used in some kind of ritualistic practice.” Or, The Endless Conjuring Universe\",\"authors\":\"K. Wetmore\",\"doi\":\"10.2307/j.ctv1s5nwvc.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The sequels, prequels and other films of the so-called “Conjuring Universe” are analysed in relationship to the original, and considered as to how they shape, expand, and sometimes contradict the ever-growing milieu of the films. Analysed in this chapter are Annabelle, The Conjuring 2, Annabelle: Creation, The Curse of La Llorona, The Nun, and Annabelle Comes Home.\",\"PeriodicalId\":391505,\"journal\":{\"name\":\"The Conjuring\",\"volume\":\"36 6\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Conjuring\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1s5nwvc.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Conjuring","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1s5nwvc.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Everything you see in here is either haunted, cursed, or has been used in some kind of ritualistic practice.” Or, The Endless Conjuring Universe
The sequels, prequels and other films of the so-called “Conjuring Universe” are analysed in relationship to the original, and considered as to how they shape, expand, and sometimes contradict the ever-growing milieu of the films. Analysed in this chapter are Annabelle, The Conjuring 2, Annabelle: Creation, The Curse of La Llorona, The Nun, and Annabelle Comes Home.