{"title":"Bardolatry就到此为止!《醉醺醺的罗密欧与朱丽叶》中的莎翁","authors":"D. Mills","doi":"10.18357/sremd31201919144","DOIUrl":null,"url":null,"abstract":"A review of the Atlanta production of Romeo and Juliet by the Shit-faced Shakespeare company. Argues that the performance \"highlighted the populist nature of American Shakespearean appropriation and commodification and the intersection of highbrow and lowbrow culture in American society\" and \"explores these aspects of Shakespearean appropriation through engagement with the writings of Antonin Artaud, Guy Debord, and Lawrence Levine on the theatre of cruelty, the society of the spectacle, and highbrow and lowbrow culture, respectively.\"","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"63 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"So much for Bardolatry! (Drunken) Romeo and Juliet in Shit-faced Shakespeare\",\"authors\":\"D. Mills\",\"doi\":\"10.18357/sremd31201919144\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A review of the Atlanta production of Romeo and Juliet by the Shit-faced Shakespeare company. Argues that the performance \\\"highlighted the populist nature of American Shakespearean appropriation and commodification and the intersection of highbrow and lowbrow culture in American society\\\" and \\\"explores these aspects of Shakespearean appropriation through engagement with the writings of Antonin Artaud, Guy Debord, and Lawrence Levine on the theatre of cruelty, the society of the spectacle, and highbrow and lowbrow culture, respectively.\\\"\",\"PeriodicalId\":153386,\"journal\":{\"name\":\"Scene: Reviews of Early Modern Drama\",\"volume\":\"63 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scene: Reviews of Early Modern Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18357/sremd31201919144\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scene: Reviews of Early Modern Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18357/sremd31201919144","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
So much for Bardolatry! (Drunken) Romeo and Juliet in Shit-faced Shakespeare
A review of the Atlanta production of Romeo and Juliet by the Shit-faced Shakespeare company. Argues that the performance "highlighted the populist nature of American Shakespearean appropriation and commodification and the intersection of highbrow and lowbrow culture in American society" and "explores these aspects of Shakespearean appropriation through engagement with the writings of Antonin Artaud, Guy Debord, and Lawrence Levine on the theatre of cruelty, the society of the spectacle, and highbrow and lowbrow culture, respectively."
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