哈代《德伯家的苔丝》中宇宙荒谬的存在与本质——一个忠实呈现的纯洁女人

DharmendraKumar Singh.
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摘要

托马斯·哈代是世界著名的英国小说家,被誉为“马克思门的圣人”,也是英国文学界的“原始存在主义者”。他的生活和作品都受到存在主义的影响。正如他的小说,尤其是悲剧小说,直接或间接地受到存在主义的主题、思想和概念的影响一样,他敏感而忙碌的生活也直接或间接地受到克尔凯郭尔、陀思妥耶夫斯基、萨特、尼采、加缪等存在主义思想家和作家的影响。他的小说反映了人的生存困境,关注的是个体的生命体验,这一点在他的作品中体现出来。宇宙与人生的荒诞、焦虑、真实性、恐惧、绝望、存在危机、先于本质的存在、真实性、他者与表象等存在主义概念在他的小说中充溢。“宇宙荒谬”的概念与“荒谬”的概念相关,而“荒谬”是“荒诞主义”的核心,是围绕着他大多数悲剧小说的轴心。本文探讨了托马斯·哈代小说《德伯家的苔丝》中“宇宙荒谬”的存在及其本质。此外,它还讨论了它的工具,以及它们是如何或多或少地影响小说的情节、人物和主题的。
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Existence and Essence of Cosmic Absurdity in Thomas Hardy’s Tess of the d’Urbervilles: A Pure Woman Faithfully Presented
Thomas Hardy, a world-famous English novelist, is not only known as the ‘Saint of Max Gate’ but also a ‘Proto-Existentialist’ in the domain of English literature. Both his life and his works are in the grip of Existentialism. As his novels, especially tragic ones, are, either directly or indirectly, affected by the themes, thoughts, and concepts of Existentialism, his sensitively hectic life is also, either directly or indirectly, influenced by the existential thinkers and writers like Kierkegaard, Dostoevsky, Sartre, Nietzsche, and Camus, etc. As his thoughts existing in his works prove, his novels reflect the predicament of human existence, which is concerned with the experiences of individuals’ life. The Absurdity of the cosmos and human life, angst, authenticity, dread, despair, existential crises, preceding existence over essence, facticity, and the Other and the Look, are such existential concepts as arebrimming in his novels. The concept of ‘Cosmic Absurdity,’ which is related to the concept of the ‘Absurd,’ that is the crux of ‘Absurdism,’ is an axis around which revolves around his most tragic novels. This article explores the existence and essence of‘Cosmic Absurdity’ in Thomas Hardy’s novel Tess of the d’Urbervilles. In addition, it discusses its tools and how more or less, they affect the plot, characters, and theme of the mentioned novel.
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