{"title":"多米尼克·德罗姆古尔的《暴风雨》(2016):劳动、技术和戏剧魔法的性别","authors":"P. Aebischer","doi":"10.1017/9781108339001.004","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":193733,"journal":{"name":"Shakespeare, Spectatorship and the Technologies of Performance","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dominic Dromgoole’sThe Tempest(2016): Labour, Technology and the Gender of Theatrical Magic\",\"authors\":\"P. Aebischer\",\"doi\":\"10.1017/9781108339001.004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":193733,\"journal\":{\"name\":\"Shakespeare, Spectatorship and the Technologies of Performance\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare, Spectatorship and the Technologies of Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/9781108339001.004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare, Spectatorship and the Technologies of Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9781108339001.004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}