{"title":"埃里克·侯麦的《绿光》:寻找真实故事的尝试","authors":"Nazirull Safry Paijo, H. Muthalib","doi":"10.33093/IJCM.2021.1.5","DOIUrl":null,"url":null,"abstract":"This paper intends to go below the surface of Eric Rohmer’s 1986 masterpiece, to discover what is really being said in the film. It is but a brief look at the film’s naturalistic approach that carries elements of philosophy while also giving it a psychological touch. It is not too difficult a task as clues to what the film is really about are scattered throughout the screenplay. Eric Rohmer alludes to cinema being an art, eschewing the visual fireworks of commercial cinema and instead explores a character’s imagination and obsession","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Green Ray By Eric Rohmer: An Attempt To Find The Real Story\",\"authors\":\"Nazirull Safry Paijo, H. Muthalib\",\"doi\":\"10.33093/IJCM.2021.1.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper intends to go below the surface of Eric Rohmer’s 1986 masterpiece, to discover what is really being said in the film. It is but a brief look at the film’s naturalistic approach that carries elements of philosophy while also giving it a psychological touch. It is not too difficult a task as clues to what the film is really about are scattered throughout the screenplay. Eric Rohmer alludes to cinema being an art, eschewing the visual fireworks of commercial cinema and instead explores a character’s imagination and obsession\",\"PeriodicalId\":313823,\"journal\":{\"name\":\"International Journal of Creative Multimedia\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Creative Multimedia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33093/IJCM.2021.1.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Creative Multimedia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33093/IJCM.2021.1.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Green Ray By Eric Rohmer: An Attempt To Find The Real Story
This paper intends to go below the surface of Eric Rohmer’s 1986 masterpiece, to discover what is really being said in the film. It is but a brief look at the film’s naturalistic approach that carries elements of philosophy while also giving it a psychological touch. It is not too difficult a task as clues to what the film is really about are scattered throughout the screenplay. Eric Rohmer alludes to cinema being an art, eschewing the visual fireworks of commercial cinema and instead explores a character’s imagination and obsession