Text[ure]

In their 'Performance Paper Text[ure]' Korsten & De Jong build a wall-veil out of the audio of the 'Participatory Performance Text[ure]' and theoretical material (the 'text') from the 'Proposal Text[ure].' The wall-veil refers to Ruskin's famous example of the Matterhorn, which he uses to explain the wall-veil as symbolic of the relationship between massing and texture through interdependence. Korsten & De Jong's wall-veil is a mutable subject-object-complex with quotes from different theoretic fields, different eras and different theorists, in which positions shift continuously. Time is seen as a form of simultaneity in which layers fuse to form meaning. Korsten & De Jong regard this process of simultaneity as a middle position and seek it as an opportunity to question existing paradigms artistically.