{"title":"《极简主义者》中幸福的表现:现在少了约翰·菲斯克的符形性分析","authors":"Anita Dewi Widya Putri, Yudiana Indriastuti","doi":"10.36914/jikb.v7i2.683","DOIUrl":null,"url":null,"abstract":"This study aims to determine the representation of happiness in the documentary film The Minimalist: less is now. Problem in this research is how represented of happiness in film The Minimalist: Less is Now. The research method used is qualitative with John Fiske's semiotic analysis. Collecting data obtained from observations through the film The Minimalist: Less is Now and the object of research is the film The Minimalists: less is now. The results showed that the representation of happiness from the film The minimalists less is now by using the code of reality, representation, and ideology semiotics by John Fiske. The film reveals that happiness in a minimalist lifestyle is happiness with a meaningful life.","PeriodicalId":335538,"journal":{"name":"Jurnal Ilmu Komunikasi dan Bisnis","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Representasi Kebahagiaan pada Film The Minimalists: Less is Now dengan Analisis Semiotika John Fiske\",\"authors\":\"Anita Dewi Widya Putri, Yudiana Indriastuti\",\"doi\":\"10.36914/jikb.v7i2.683\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study aims to determine the representation of happiness in the documentary film The Minimalist: less is now. Problem in this research is how represented of happiness in film The Minimalist: Less is Now. The research method used is qualitative with John Fiske's semiotic analysis. Collecting data obtained from observations through the film The Minimalist: Less is Now and the object of research is the film The Minimalists: less is now. The results showed that the representation of happiness from the film The minimalists less is now by using the code of reality, representation, and ideology semiotics by John Fiske. The film reveals that happiness in a minimalist lifestyle is happiness with a meaningful life.\",\"PeriodicalId\":335538,\"journal\":{\"name\":\"Jurnal Ilmu Komunikasi dan Bisnis\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jurnal Ilmu Komunikasi dan Bisnis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36914/jikb.v7i2.683\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jurnal Ilmu Komunikasi dan Bisnis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36914/jikb.v7i2.683","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究旨在确定纪录片《极简主义者》中幸福的表征:less is now。本研究的问题是电影《极简主义者:少即是现在》是如何表现幸福的。研究方法采用菲斯克的符号学定性分析方法。通过电影《极简主义者:少即是现在》收集观察数据，研究对象是电影《极简主义者:少即是现在》。研究结果表明，电影《极简主义者》中对幸福的表征现在是通过约翰·菲斯克的现实、表征和意识形态符号学的代码来实现的。这部电影揭示了极简生活方式中的幸福是有意义生活的幸福。
Representasi Kebahagiaan pada Film The Minimalists: Less is Now dengan Analisis Semiotika John Fiske
This study aims to determine the representation of happiness in the documentary film The Minimalist: less is now. Problem in this research is how represented of happiness in film The Minimalist: Less is Now. The research method used is qualitative with John Fiske's semiotic analysis. Collecting data obtained from observations through the film The Minimalist: Less is Now and the object of research is the film The Minimalists: less is now. The results showed that the representation of happiness from the film The minimalists less is now by using the code of reality, representation, and ideology semiotics by John Fiske. The film reveals that happiness in a minimalist lifestyle is happiness with a meaningful life.
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