勒福特的特定行为中的宗教形态

Ewa Anna Piasta
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摘要

格特鲁德·冯·勒·福特的作品属于文学宗教话语,并进入罗马天主教和新教之间的辩论。作者将她的故事背景设定在过去,最常见的是中世纪,这使她能够对当代的政治、伦理和宗教问题进行批判性的评估。文章从主题和风格两方面阐述了文学与宗教之间的各种联系。在她的文本的主题、价值论和语言层面上,都可以找到对宗教的引用。被分析的作品包括中篇小说《大教堂》和《天堂之门》,以及小说《马格德堡婚礼》。这些作品也反映了所谓文化基督教的现象。勒福特笔下的人物对宗教制度并非漠不关心,即使他们并不完全认同宗教制度。
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Formen des Religiösen in ausgewählten Werken Gertrud von Le Forts
Works by Gertrud von le Fort belong with literary religious discourse and enter a debate between Roman Catholicism and Protestantism.The writer sets her plots in the past, most frequently in the Middle Ages, which enables her to offer a critical assessment of contemporary political, ethical and religious issues.The article presents various connections between literature and religion, in terms of both motifs and style. References to religion are found in the thematic, axiological and linguistic layers of her texts. The analysed works comprise the novellas Der Dom (The Cathedral) and Am Tor des Himmels (At the Heavenly Gate) as well as the novel Magdeburgische Hochzeit (The Magdeburg Wedding). These works also reflect the phenomenon of the so-called cultural Christianity. Le Fort’s characters are not indifferent to the religious system, even if they do not fully identify with it.
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