设计集体艺术家驻地

N. Eernstman, K. Pearson, A. Wals, Åse Eliason Bjurström, Anke De Vrieze
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引用次数: 1

摘要

本文从对气候变化的人文主义方法的争论开始,讨论了“集体艺术家驻地”的概念,作为参与需要集体答案的复杂社会生态问题的可行手段。通过对“富有想象力的破坏”研究项目的分析,我们提出需要一个包括艺术家和非艺术家在内的创意空间,在面对过于痛苦、压倒性和复杂而无法理性理解的问题时,它会产生无目的的游戏、好奇的制作和对话式的思考。我们进一步认为,这样的居住可以产生舒适,甚至轻松的空间,人们可以在一起感到不舒服。换句话说,环境让人感到安全和关怀,但也鼓励我们挑战现状,并通过情感、审美、认知、身体和社会处理来尝试其他选择。论文最后提出了五个(建议的)设计集体艺术驻地的指导原则,支持人们共同反思他们的脆弱性,同时重新想象世界上现在和未来的可能性:深度参与,在舒适/不舒服的情绪之间取得平衡,高度体验,跨部门和代际,基于地点。
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Designing Collective Artist Residencies 
Starting with an argument for a humanistic approach to climate change, this paper discusses the concept of the ‘Collective Artist Residency’ as a practicable means for engaging with complex socio-ecological issues that require collective answers. Through our analysis of the research project ‘Imaginative Disruptions,’ we propose that there is a need for creative spaces that include artists and non-artists alike, and which engender aimless play, inquisitive making and dialogic contemplation in the face of issues which are too painful, overwhelming and complex to rationally comprehend. We further argue that such residencies can generate comfortable, and even light-hearted, spaces in which people can be uncomfortable together. In other words, environments that feel safe and caring but that also encourage us to challenge status quos and experiment with alternatives via emotional, aesthetic, cognitive, somatic and social processing. The paper closes with five (suggested) guiding principles for designing a Collective Art Residency that supports groups of people to co-reflect upon their fragility whilst re-imagining present and future possibilities for being in the world: deeply participatory, balanced between comfortable / uncomfortable emotions, highly experiential, cross-sectoral and intergenerational, place-based.
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