人体测绘革命:它的起源、后果和局限性

Australian Voice Pub Date : 1900-01-01 DOI:10.56307/htrw3642
A. Cole
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摘要

身体映射(Body Mapping,简称BM)是一门快速发展的学科,其覆盖范围随着每一款新游戏的出现而扩大,这些游戏致力于另一种特定乐器的玩家。虽然芭芭拉·科纳布尔被认为是人体测绘教育协会(ABME)的创始人,威廉·科纳布尔被认为是人体测绘教育的“发现者”,但事情远比这复杂。身体映射的起源在于亚历山大技术(AT)的一位特别老师马乔里·巴斯托的清晰阐述。然而,Barstow对脱离亚历山大基础的BM的潜在危险持谨慎态度,并警告不要将其发展为一门独立的学科。本文考察了BM的起源,并将其与亚历山大技术进行了比较,特别是由Barstow教授的亚历山大技术。特别是,作者重申并扩展了Barstow的警告,即如果没有Alexander原则的基础,将其教给歌手可能会产生的后果。
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The Body Mapping Revolution: Its origins, consequences and limitations
Body Mapping (BM) is a fast-growing discipline, the reach of which increases with the appearance of every new title, dedicated to the players of yet another specific musical instrument. While Barbara Conable is credited as the founder of the Association for Body Mapping Education (ABME), and William Conable as the “discoverer” of BM, the story is more complex than that. The origins of Body Mapping lie in the clarity of one particular teacher of the Alexander Technique (AT), Marjorie Barstow. However, Barstow was wary of the potential dangers of BM stripped of its Alexander underpinnings and warned against its development as a discrete discipline. This article examines the origins of BM and compares it with the Alexander Technique, particularly as taught by Barstow. In particular, the author reiterates and expands Barstow’s warning of its potential consequences when taught to singers without the underpinnings of Alexander’s principles.
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