Wastra脉轮的动机是视觉通信设计中Omah Petrok Troso

Roffi Siana, Eko Darmawanto, T. Alfian
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摘要

Wastra motif是一种视觉形式,它包含在布料介质中,由风格化的植物、动物和其他自然物体形成。Wastra Cakra manggilingan是Jepara的Wastra之一,里面有一个信息。许多人不知道在特罗索村的瓦斯特拉编织中所包含的信息。视觉传达设计是以视觉或图像的形式理解信息的科学。然而,为了揭示这幅画中蕴含的信息,研究者采用了查尔斯·莫里斯的符号学方法和定性描述方法。本研究以口头访谈及其他文献资料为基础,获得了《中脉》的视觉形态资料。然后使用符号学进行分析,符号学以一系列描述性句子的形式产生数据。研究的结果导致了符号的形式,意义,和信息包含在整个脉轮manggillingan主题。通过使用一种适合于杰帕拉人生活的程式化形式,这种风格变得真实。
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Kajian Motif Wastra Cakra Manggilingan Omah Petrok Troso Dalam Desain Komunikasi Visual
Wastra motif is a visual form that is contained in cloth media in its entirety and is formed from stylized plants, animals, and other natural objects. Wastra Cakra manggilingan is one of the Wastra in Jepara which has a message in it. Many people do not know the message contained in Wastra weaving in Troso Village. Visual Communication Design is the science of understanding a message in the form of visuals or images. However, to reveal the message contained in the Wastra Cakra manggilingan motif, the researcher uses a qualitative descriptive method with a semiotic theory approach belonging to Charles Morris. The visual form data of the Wastra Cakra manggilingan motif series were obtained based on oral interviews, and other bibliography. Then an analysis was carried out using semiotics which produced data in the form of a series of descriptive sentences. The results of the study resulted in the form of signs, meanings, and messages contained in the entire Wastra Cakra manggillingan motif. This wastra becomes authentic by using a stylized form that is adapted to the life of the Jepara people in general.
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LIONG SEBAGAI SUMBER IDE PENCIPTAAN MOTIF BATIK PADA BUSANA CASUAL WANITA KABINET TV GEOMETRIK MOTIF LABA-LABA DESAIN KERAJINAN LINCAK BAMBU DI TIMBULHARJO SEWON BANTUL YOGYAKARTA EKSISTENSI KAIN TENUN LIPA’SABBE DALAM MASYARAKAT SUKU BUGIS DI KOTA SENGKANG KABUPATEN WAJO SULAWESI SELATAN PEMANFAATAN LIMBAH ANORGANIK
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