卡威大浪:以历史、绘画和卡威大浪艺术创作理论为基础的音乐创作

Ni Made Ayu Diana Putri
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摘要

19世纪约翰·凯奇的出现标志着实验音乐的出现,这一时期在音乐史上通常被称为现代音乐时期。约翰·凯奇是一位充满争议的作曲家,因为他的作品是实验性的,超越了巴洛克、古典、浪漫等时代的音乐规则。他最著名的作品之一是《4.33》,这是一部配有乐谱的钢琴作品,现场演奏,但钢琴家不演奏一个音符,只是根据乐谱的方向打开和关闭钢琴。凯奇的身影激励了很多人,尤其是我自己。受到实验音乐作曲家的启发,我决定创作一首将音乐与巴厘岛绘画相结合的音乐,名为Karang Boma。这个作品将以乐谱和迷笛艺术的形式实现。作者在Karang Boma的音乐作品中使用的创作方法是Panducita Subagaprana Theory,这个理论分为四种:Pandulame(想象),Adicita(想法),Subagalango(艺术创作)和Pranayuga(外部趋势/趋势)。
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Karang Boma: Musical Composition Based on History, Painting and Kawi Dalang Art Creativity Theory
  The emergence of experimental music is marked by the presence of the figure of John Cage in the 19th century which in music history is often referred to as the period of Modern Music. John Cage is a composer who is full of controversy because his works are experimental and out of the rules contained in music in previous eras such as baroque, classical and romantic eras. One of his most famous works is “4.33” this work is a piano piece complete with sheet music and performed live but the pianist does not play a single note, and only opens and closes the piano according to the direction of the sheet music. The presence of Cage's figure has inspired many people, especially myself. Inspired by experimental music composers, I decided to create a piece of music that combines music with Balinese painting called Karang Boma. This work will be realized in the form of sheet music and midi art. The method of creation used by the author in Karang Boma's musical works refers to the Panducita Subagaprana Theory, this theory is divided into four namely: Pandulame (imajination), Adicita (Idea), Subagalango (Art Compotition), and Pranayuga (External Trend/Tendency).  
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