20世纪50年代至70年代英国、意大利和澳大利亚城市丑陋的重新概念化

Marianna Charitonidou
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引用次数: 1

摘要

本文将英国、意大利和澳大利亚的环境并置,在比较或关系的框架下,研究了不同国家背景下对丑的欣赏的重新定位,并将它们与上述国家背景下城市结构的转变和郊区化的影响联系起来。特别关注的是20世纪50年代至70年代之间城市丑陋化概念的生产和传播方式。本文讨论的关键问题是伊恩·奈恩的《愤怒:关于城镇和乡村的毁形》(1956年)、罗宾·博伊德的《澳大利亚的丑陋》(1960年),以及这些书中对待城市扩张现象的方式,并与其他来自四个国家背景的书进行比较,如卢多维科·奎洛尼的《巴别塔》(1967年)和雷纳·巴纳姆的《新野兽主义:伦理还是美学?》(1966)。
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The Reconceptualization of the City’s Ugliness Between the 1950s and 1970s in the British, Italian, and Australian Milieus
The paper examines the reorientations of the appreciation of ugliness within different national contexts in a comparative or relational frame, juxtaposing the British, Italian, and Australian milieus, and to relate them to the ways in which the transformation of the urban fabric and the effect of suburbanization were perceived in the aforementioned national contexts. Special attention is paid to the production and dissemination of the ways the city’s uglification was conceptualized between the 1950s and 1970s. Pivotal for the issues that this paper addresses are Ian Nairn’s Outrage: On the Disfigurement of Town and Countryside (1956) Robin Boyd’s Australian Ugliness (1960), and the way the phenomenon of urban expansion is treated in these books in comparison with other books from the four national contexts under study, such as Ludovico Quaroni’s La torre di Babele (1967) and Reyner Banham’s The New Brutalism: Ethic Or Aesthetic? (1966).
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