为头巾而死:奥尔罕·帕慕克的《雪》中的自由选择和自由意志的象征

Sri Hariyatmi
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摘要

本文旨在揭示Orhan Pamuks的概念,或者他如何(重新)呈现伊斯兰传统中的妇女和她们的头巾,特别是参考他的小说Snow。故事以土耳其流亡者Ka的回归开始,Ka为了参加母亲的葬礼离开了自己的国家12年,来到了伊斯坦布尔。然后,他决定调查卡尔斯省的一波年轻女孩自杀潮,这些女孩反对在公共场所禁止戴头巾。本研究发现,帕慕克探讨了穆斯林妇女在宗教和国家意志领域之外的悲叹,作为重新(主张)其头巾和身份的意义的垫脚石。本研究以马哈茂德理论为基础,认为头巾具有比宗教虔诚的象征更深层次的含义。它是穆斯林妇女行使其选择的身份的个人意愿的平台。
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Headscarves to Die for1: Freedom of Choice and a Freewill Symbol in Orhan Pamuk�s Snow
This article intends to unfold Orhan Pamuks conception or how he (re) presents women andtheir headscarves within Islamic tradition, with particular reference to his novel Snow. Snowopens with the return of Ka, a Turkish exile who has been leaving his country for 12 years toIstanbul in order to attend his mothers funeral. He then decides to investigate a wave ofsuicide by young girls in the provincial city of Kars who object the ban of hijab in publicspaces. This study discovers that Pamuk explores the lamentation of the Muslim womenemanating out of the domain of religion and the will of the state as a stepping-stone to re(claim) the meaning of their headscarf and identity. Grounded in Mahmood theory, this studyargued that headscarf has a deeper meaning than just a symbol of religious devotion. It is aplatform of Muslim womens individual will to exercise their chosen identity.
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