根本不明显的缺席:两次世界大战之间巴黎的截断奏鸣曲形式

IF 1.6 1区 艺术学 0 MUSIC MUSIC THEORY SPECTRUM Pub Date : 2023-10-06 DOI:10.1093/mts/mtad020
Damian Blättler
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引用次数: 0

摘要

本文确定了一组奏鸣曲形式的运动,写在两次世界大战之间的巴黎,不概括他们的次要主题,但简单地结束在主要,而不是表现灾难或越界。它认为,他们之所以能够不履行奏鸣曲式的惯例,是因为这些作品如何使主旋律重现一个解决了结构张力的地方,而不是奏鸣曲式的主题和关键机制,而是独立于奏鸣曲式逻辑的过程。这些动作也被分析为具有讽刺意味的修辞;他们对奏鸣曲形式的不同态度的并置,协商了两次世界大战之间的时代及其作曲遗产之间的关系。
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Radically Inconspicuous Absence: Truncated Sonata Forms in Interwar Paris
Abstract This article identifies a set of sonata-form movements written in interwar Paris that do not recapitulate their secondary theme and yet end simply in major rather than performing cataclysm or transgression. It argues that their ability to leave sonata-form conventions unfulfilled is a consequence of how these pieces make the primary-theme reprise a site of resolved structural tension, not of the theme-and-key mechanisms of sonata form but rather of processes independent from sonata-form logic. These movements are also analyzed as exhibiting ironic troping; their juxtaposition of distinct attitudes toward sonata form negotiates a relationship between the interwar era and its compositional inheritances.
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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