《打开放映之美:穿越历史、策展实践和个人反思之旅》,卡拉·哈根著,207页。画报。北卡罗来纳州:McFarland &Company, Inc ., 2022。软装39.95美元,电子书23.99美元。Isbn 9781476669847, Isbn 9781476645452。

IF 0.1 3区 艺术学 0 DANCE DANCE CHRONICLE Pub Date : 2023-09-02 DOI:10.1080/01472526.2023.2254554
Jennifer Petuch
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点击增大图片尺寸点击缩小图片尺寸附加信息撰稿人说明jennifer PETUCH jennifer AKALINA PETUCH是一名舞者、数字编舞、多媒体艺术家,也是德克萨斯农工大学表演、可视化和美术学院的舞蹈教学助理教授。她毕业于佛罗里达州立大学舞蹈学院,获得编舞和表演艺术硕士学位,主修舞蹈技术。她的硕士论文促成了与FSU计算机科学学院和学生为期两年的合作,为舞台创建并发布了一款名为ViFlow的原创交互式增强现实软件。佩奇在佛罗里达州立大学舞蹈学院担任了四年的兼职教职员工,教授摄影舞蹈和投影设计等技术课程。佩奇创作了许多舞蹈电影,并与安娜利·罗斯(Annali Rose)共同执导了水下舞蹈电影《Liminality》,该片获得了国内和国际的认可,自2020年以来在55多个电影节上放映。
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Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections Screendance from Film to Festival: Celebration and Curatorial Practice By Cara Hagan. 207pp. Illustrated. North Carolina: McFarland & Company, Inc, 2022. $39.95 softcover, $23.99 e-book. ISBN 9781476669847, ISBN 9781476645452.
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsJennifer PetuchJENNIFER AKALINA PETUCH is a dancer, digital choreographer, multimedia artist, and an Instructional Assistant Professor of Dance at Texas A&M University in the School of Performance, Visualization, and Fine Arts. She graduated from Florida State University’s School of Dance Program with her Master of Fine Arts in Choreography and Performance with a focus in Dance Technology. Her MFA thesis resulted in a two-year collaboration with FSU Computer Science faculty and students creating and publishing an original interactive Augmented Reality software for the stage called ViFlow. Petuch served for four years as Adjunct Faculty and Staff at FSU’s School of Dance teaching tech classes ranging from Dance on Camera and Projection Design. Petuch has created numerous dance films and was Co-Director with Annali Rose on their underwater dance film, Liminality, which has received national and international recognition and been screened in over 55 film festivals since 2020.
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来源期刊
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22
期刊介绍: For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.
期刊最新文献
Introduction to Issue 47.3 Strolling from Jazz to Funk Unruly Choreographies and the Contradictions of Safety Authenticities of K-pop Cover Dance Influencers in/from Bali, Indonesia Cross-cultural Identities: An interdisciplinary analysis of the jota in The Three-Cornered Hat (1919)
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