神秘的语料库:亚历山大·斯克里亚宾的钢琴独奏

IF 0.6 0 MUSIC Empirical Musicology Review Pub Date : 2023-11-09 DOI:10.18061/emr.v17i2.9281
Bryan Jacob Bell, Joshua Albrecht
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引用次数: 0

摘要

本文介绍了神秘语料库,亚历山大·斯克里亚宾的全部已出版的207部钢琴独奏作品,并使语料库以Humdrum的kern格式提供。斯克里亚宾的音乐呈现出独特的挑战,特别是在他使用复杂的节奏和韵律探索以及他标记他的作曲思想的特殊方式方面。虽然这个侧数据集中在Scriabin上,但文章中探讨的方法挑战可能会揭示其他相关的晚调性和早期后调性曲目的编码过程。因此,本文提供了一个案例研究,涉及系统地将混乱的音乐符号转换为音乐数据的符号编码的方法学考虑。最后,本文对语料库进行了描述性统计,特别关注斯克里亚宾对格律和两个和声(即降五和弦的属七和弦和“Mystic”和弦)的处理,并讨论了Mysterium语料库在未来研究中的适用性。
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Mysterium Corpus: The Solo Piano Music of Alexander Scriabin
This article introduces the Mysterium corpus, the complete published oeuvre of Alexander Scriabin’s 207 solo piano works, and makes the corpus available in Humdrum’s kern format. Scriabin’s music presents distinct challenges, specifically in relation to his use of complex rhythmic and metric explorations and the idiosyncratic ways in which he notated his compositional ideas. While this sidetdataset is focused on Scriabin, the methodological challenges explored in the article may shed light on the encoding process for other related late-tonal and early post-tonal repertoires. As such, this article provides a case study of methodological considerations involved in systematically translating messy musical notations into a symbolic encoding of the musical data. Finally, this article provides descriptive statistics of the corpus, especially focusing on Scriabin’s treatment of meter and two harmonies (i.e., the dominant-seventh chord with lowered fifth, and the “Mystic” chord), and discusses the applicability of the Mysterium corpus for future research.
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