男性身份的危机:山姆·谢泼德《为爱痴狂》中的男性气质研究

Meng Ye
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引用次数: 0

摘要

美国当代剧作家山姆·谢泼德精通家庭剧的创作,《傻瓜为爱》就是一个很好的例子。山姆·谢泼德在《傻瓜为爱》中关注家庭成员之间的冲突,描述了一对同父异母的兄弟姐妹埃迪和梅,他们在不知道的情况下陷入了一场令人难忘的乱伦之恋。《为爱痴心》中的男性角色表现出一系列以女性为镜像中心的话语权关系,强调“女性的单一对立面/母性”的男性身份。然而,出轨暴力的男性角色,如没有婚外情的“缺席”父亲、在“乱伦”关系中挣扎的暴力儿子,既没有树立理想的男性主导的积极形象,也没有成为母亲的“英雄儿子”,而是找到了“真正的父亲”。在社会关系中,他们也未能在暴虐的行为中实现自我的权威认同,甚至未能在“非女性”气质的表现中获得男性认同的认可,最终印证了自我男性认同的缺失。本文试图在研究男性气质的基础上,通过细读《为爱犯傻》的文本,探究小说中父子缺乏男性气质的原因,揭示当时美国社会背景下主流男性所面临的身份危机和性别焦虑。
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The Crisis of Male Identity: A Study on the Masculinity of Sam Sheppard's Fool for Love
Sam Sheppard, a contemporary American playwright, is well-versed in the creation of family dramas, and Fool for Love is a good example. Sam Shepard focuses on the conflicts between family members in Fool for Love and describes a pair of half-brother and sister, Eddie and May, who are caught in an unforgettable incest love without knowing it. The male characters in Fool for Love show a series of discourse power relations with women as the mirror center and emphasize the male identity of "the single opposite of women/motherhood". However, male characters who are cheating and violent, such as "absent" father who is free from extramarital affairs and a violent son who is struggling with "incest" relationship, have neither established the positive image of ideal dominant masculinity nor become the "hero son" of mother, and found the "real father". In the social relationship, they also failed to fulfill the authoritative identity of self in the tyrannical behavior and even failed to gain the recognition of male identity in the performance of "non-female" temperament, which ultimately confirmed the lack of self-male identity. Based on the study of masculinity, this paper attempts to explore the causes of the lack of masculinity of father and son in the novel through a close reading of the text of Fool for Love and reveal the identity crisis and gender dysphoria faced by mainstream men in the American social background at that time.
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