{"title":"莫迪利阿尼《大提琴家与布朗库西肖像》双面画的图像研究与材料表征","authors":"Greta Garcia, David Juanes, Rafael Romero","doi":"10.36868/ijcs.2023.03.30","DOIUrl":null,"url":null,"abstract":"The cellist and the portrait of Brancusi were painted by Amedeo Modigliani in 1909. This canvas, which is painted on both sides, also contains preliminary studies for two of the most representative works of the artist's early days in Paris. In 2016, the collector Juan Abelló, agreed to conduct a complete image study at different wavelengths (Infrared, Ultraviolet and X-ray) as well as pigment analysis using X-ray fluorescence. The data collected revealed the preparatory drawing made in pencil, another underlying painting, and the use of previously unrecognised pigments in Modigliani’s palette. This valuable information improves our understanding of the painter’s early technique, which has received little attention to date, and thus contributes with critical scientific criteria to detect falsifications.","PeriodicalId":45840,"journal":{"name":"International Journal of Conservation Science","volume":"134 1","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Image Study and Material Characterization of the Two-Sided Painting the Cellist and Portrait of Brancusi by Amedeo Modigliani\",\"authors\":\"Greta Garcia, David Juanes, Rafael Romero\",\"doi\":\"10.36868/ijcs.2023.03.30\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The cellist and the portrait of Brancusi were painted by Amedeo Modigliani in 1909. This canvas, which is painted on both sides, also contains preliminary studies for two of the most representative works of the artist's early days in Paris. In 2016, the collector Juan Abelló, agreed to conduct a complete image study at different wavelengths (Infrared, Ultraviolet and X-ray) as well as pigment analysis using X-ray fluorescence. The data collected revealed the preparatory drawing made in pencil, another underlying painting, and the use of previously unrecognised pigments in Modigliani’s palette. This valuable information improves our understanding of the painter’s early technique, which has received little attention to date, and thus contributes with critical scientific criteria to detect falsifications.\",\"PeriodicalId\":45840,\"journal\":{\"name\":\"International Journal of Conservation Science\",\"volume\":\"134 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-09-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Conservation Science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36868/ijcs.2023.03.30\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Conservation Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36868/ijcs.2023.03.30","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Image Study and Material Characterization of the Two-Sided Painting the Cellist and Portrait of Brancusi by Amedeo Modigliani
The cellist and the portrait of Brancusi were painted by Amedeo Modigliani in 1909. This canvas, which is painted on both sides, also contains preliminary studies for two of the most representative works of the artist's early days in Paris. In 2016, the collector Juan Abelló, agreed to conduct a complete image study at different wavelengths (Infrared, Ultraviolet and X-ray) as well as pigment analysis using X-ray fluorescence. The data collected revealed the preparatory drawing made in pencil, another underlying painting, and the use of previously unrecognised pigments in Modigliani’s palette. This valuable information improves our understanding of the painter’s early technique, which has received little attention to date, and thus contributes with critical scientific criteria to detect falsifications.
期刊介绍:
The International Journal of Conservation Science (IJCS) is a high quality peer-reviewed journal devoted to the publication of original research papers in applied conservation science and its broad range of applications. IJCS it is an open access journal. All content is freely available without charge to any user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. The topics cover all disciplines and branches of modern scientific conservation, including different aspects on general conservation theory, scientific investigation of works of art, authentication, determination of conservation state, compatibility studies for preservation and restoration procedures and monitoring of interventions effectiveness, etiopathology of historic and natural monuments, studies on the mechanisms of deterioration and degradation for different materials as structural and ornamental elements, impact of the environmental factors or agents on monuments and ecosystems, obtaining and characterization of new materials and procedures for preservation and restoration, new methodologies for scientific investigation, cross-related problems concerning research applied to conservation science, biodiversity conservation. Review articles in selected areas are published from time to time.