{"title":"美国电影在苏联的感知,就像迪娜·德宾的一封信。","authors":"Kristina Tanis","doi":"10.4000/monderusse.14123","DOIUrl":null,"url":null,"abstract":"The paper analyzes a letter that Soviet citizen Piotr Rossolovskii wrote to American film star Deanna Durbin in 1946 after watching the American movies she starred in. The author considers the reception of American movies in the USSR during the 1940s through a juxtaposition of Rossolovskii’s letter with the latter’s autobiography and memoirs and a focus on his viewership experience. Close attention is paid to the new connotations and roles attributed to American film after its transfer into Soviet culture.","PeriodicalId":45008,"journal":{"name":"CAHIERS DU MONDE RUSSE","volume":"26 1","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Восприятие американских фильмов в СССР на примере одного письма к Дине Дурбин\",\"authors\":\"Kristina Tanis\",\"doi\":\"10.4000/monderusse.14123\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper analyzes a letter that Soviet citizen Piotr Rossolovskii wrote to American film star Deanna Durbin in 1946 after watching the American movies she starred in. The author considers the reception of American movies in the USSR during the 1940s through a juxtaposition of Rossolovskii’s letter with the latter’s autobiography and memoirs and a focus on his viewership experience. Close attention is paid to the new connotations and roles attributed to American film after its transfer into Soviet culture.\",\"PeriodicalId\":45008,\"journal\":{\"name\":\"CAHIERS DU MONDE RUSSE\",\"volume\":\"26 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-10-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS DU MONDE RUSSE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/monderusse.14123\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS DU MONDE RUSSE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/monderusse.14123","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
Восприятие американских фильмов в СССР на примере одного письма к Дине Дурбин
The paper analyzes a letter that Soviet citizen Piotr Rossolovskii wrote to American film star Deanna Durbin in 1946 after watching the American movies she starred in. The author considers the reception of American movies in the USSR during the 1940s through a juxtaposition of Rossolovskii’s letter with the latter’s autobiography and memoirs and a focus on his viewership experience. Close attention is paid to the new connotations and roles attributed to American film after its transfer into Soviet culture.
期刊介绍:
Revue interdisciplinaire, les Cahiers du Monde russe couvrent l’histoire politique, sociale, économique et culturelle (en particulier littéraire) de l’empire de Russie des origines à 1917, puis de l’URSS et enfin des différents États qui en sont issus. Actuellement, une place importante est consacrée à l’étude des pratiques de pouvoir à l’œuvre au cours de la période soviétique. Les études fondées sur les archives nouvellement accessibles sont privilégiées.