{"title":"梁平地区年画中“门神”形象色彩数字化研究","authors":"Zhang Weimin, Zhou Yu","doi":"10.31166/voprosyistorii202309statyi41","DOIUrl":null,"url":null,"abstract":"New Year paintings, or nianhua, created in Liangping with the use of the technique of woodblock printing, represent folk art that weaves together distinct local features, aesthetic perception and technical mastery of the artists. One of the key nianhua themes is the imagery of “Men Shen”, or door gods, that banish the evil and guard doors and gates. The article discusses the imagery of door gods in Liangping nianhua printed from woodblocks.","PeriodicalId":46064,"journal":{"name":"VOPROSY ISTORII","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A study on color digitization in the images of “Men Shen” found in the New Year paintings of Liangping district\",\"authors\":\"Zhang Weimin, Zhou Yu\",\"doi\":\"10.31166/voprosyistorii202309statyi41\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"New Year paintings, or nianhua, created in Liangping with the use of the technique of woodblock printing, represent folk art that weaves together distinct local features, aesthetic perception and technical mastery of the artists. One of the key nianhua themes is the imagery of “Men Shen”, or door gods, that banish the evil and guard doors and gates. The article discusses the imagery of door gods in Liangping nianhua printed from woodblocks.\",\"PeriodicalId\":46064,\"journal\":{\"name\":\"VOPROSY ISTORII\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"VOPROSY ISTORII\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31166/voprosyistorii202309statyi41\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"VOPROSY ISTORII","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31166/voprosyistorii202309statyi41","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
A study on color digitization in the images of “Men Shen” found in the New Year paintings of Liangping district
New Year paintings, or nianhua, created in Liangping with the use of the technique of woodblock printing, represent folk art that weaves together distinct local features, aesthetic perception and technical mastery of the artists. One of the key nianhua themes is the imagery of “Men Shen”, or door gods, that banish the evil and guard doors and gates. The article discusses the imagery of door gods in Liangping nianhua printed from woodblocks.
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