弗兰肯塔勒,木刻和日本

IF 0.1 0 ART Journal of Contemporary Painting Pub Date : 2023-04-01 DOI:10.1386/jcp_00048_1
Suzanne Boorsch
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引用次数: 0

摘要

1941年12月7日,日本偷袭珍珠港,导致美国最终加入了第二次世界大战,离海伦·弗兰肯塞勒的13岁生日还有5天。1945年8月,美国在广岛和长崎投下原子弹,结束了战争,当时她16岁。然而,尽管日本一直是敌人,许多美国人——包括许多美国艺术家——在战后的岁月里对日本及其文化着迷。本文详细介绍了日本在《海伦·弗兰肯塞勒:激进之美》展览中的作品创作中的特殊重要性,该展览将于2021 - 2022年在伦敦德威奇画廊举行——弗兰肯塞勒非凡的木刻作品。
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Frankenthaler, woodcuts and Japan
Helen Frankenthaler was five days short of her thirteenth birthday when the Japanese bombed Pearl Harbor, on 7 December 1941, causing the United States finally to enter the Second World War. She was 16 in August 1945 when the United States dropped atomic bombs on Hiroshima and Nagasaki, putting an end to the war. Yet, despite the fact that Japan had been the Enemy, many Americans – including many American artists – became fascinated with Japan and its culture in the years following the war. This article details the particular importance of Japan in the creation of the works in the exhibition Helen Frankenthaler: Radical Beauty , at the Dulwich Picture Gallery, London, in 2021–22 – Frankenthaler’s extraordinary woodcuts.
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