马比诺吉奥翁的新故事和马比诺吉的彼得·基恩:文本、叙事和传统1

Hynek Daniel Janoušek
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摘要

摘要本文旨在探讨中世纪威尔士故事《马比诺吉四支》的叙事元素在威尔士出版商塞伦的《马比诺吉翁新故事》系列中最近四部英语小说中的迁移。罗素·塞林·琼斯的《第九波》、欧文·希尔斯的《白乌鸦》、劳埃德·琼斯的《看它们如何奔跑》和格温妮丝·刘易斯的《肉树》都与《马比诺吉》的四支有明确的文本关系,这是一个未知作者的文本整体。这提供了一个机会来检查构成文本传统的工作,无论是历时的还是共时的。本文借鉴了荷兰文化理论家米克·巴尔的结构主义叙事理论,威尔士语言学家赛昂·戴维斯对中世纪故事的分析,以及斯洛伐克文学学者安东·波波维茨对传统的原文本和元文本的看法。所选择的方法包括识别文本变量和不变量,以便在一个地理上定义的社区的语言编码信息语料库中捕获可能的方法来检查不同时期和语言的相关文本之间的关系。
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New stories from the Mabinogion and Pedeir Keinc y Mabinogi: Texts, Narratives and Tradition1
Abstract This paper aims to explore the migration of narrative elements from four medieval Welsh tales known as the Four Branches of the Mabinogi into four recent Englishlanguage novels which are part of Welsh publisher Seren’s series New Stories from the Mabinogion. Russel Celyn Jones’s The Ninth Wave , Owen Sheers’s White Ravens , Lloyd Jones’s See How They Run , and Gwyneth Lewis’s The Meat Tree bear an explicit textual relationship to the Four Branches of the Mabinogi, a textual whole of unknown authorship. This affords an opportunity to examine the workings of what constitutes a textual tradition, both diachronically and synchronically. The article relies on Dutch cultural theorist Mieke Bal’s structuralist theory of narrative, on Welsh philologist Sioned Davies’s analyses of the medieval tales, and on Slovak literary scholar Anton Popovič’s view of tradition in terms of prototexts and metatexts. The methodology chosen consists of identifying textual variables and invariables in order to capture possible ways of examining relationships between related texts of different periods and languages within a corpus of linguistically encoded messages of a geographically defined community.
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