{"title":"“感性的革命性变化”:w·h·奥登1949年佩奇-巴伯讲座中提到的赫尔曼·梅尔维尔的《白鲸》","authors":"Jacek Partyka","doi":"10.4000/ejas.20835","DOIUrl":null,"url":null,"abstract":"The article centers on The Enchafèd Flood: The Romantic Iconography of the Sea, a series of Page-Barbour Lectures delivered by W. H. Auden at the University of Virginia in 1949, in which he analyzed the Romantic and late nineteenth-century images of the sea, contrasted with images of the desert, giving a partisan interpretation of Melville’s selected prose (Moby-Dick in particular). As his reconsideration of the iconography is underpinned by a political agenda, in this article I comment on Auden’s lectures as exemplifications of a particular, pivotal moment in the development of Melville studies after the 1920s revival.","PeriodicalId":54031,"journal":{"name":"European Journal of American Studies","volume":"42 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures\",\"authors\":\"Jacek Partyka\",\"doi\":\"10.4000/ejas.20835\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article centers on The Enchafèd Flood: The Romantic Iconography of the Sea, a series of Page-Barbour Lectures delivered by W. H. Auden at the University of Virginia in 1949, in which he analyzed the Romantic and late nineteenth-century images of the sea, contrasted with images of the desert, giving a partisan interpretation of Melville’s selected prose (Moby-Dick in particular). As his reconsideration of the iconography is underpinned by a political agenda, in this article I comment on Auden’s lectures as exemplifications of a particular, pivotal moment in the development of Melville studies after the 1920s revival.\",\"PeriodicalId\":54031,\"journal\":{\"name\":\"European Journal of American Studies\",\"volume\":\"42 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of American Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/ejas.20835\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of American Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/ejas.20835","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
“Revolutionary Changes in Sensibility”: References to Herman Melville’s Moby-Dick in W. H. Auden’s 1949 Page-Barbour Lectures
The article centers on The Enchafèd Flood: The Romantic Iconography of the Sea, a series of Page-Barbour Lectures delivered by W. H. Auden at the University of Virginia in 1949, in which he analyzed the Romantic and late nineteenth-century images of the sea, contrasted with images of the desert, giving a partisan interpretation of Melville’s selected prose (Moby-Dick in particular). As his reconsideration of the iconography is underpinned by a political agenda, in this article I comment on Auden’s lectures as exemplifications of a particular, pivotal moment in the development of Melville studies after the 1920s revival.
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