塞德里克·克拉皮什(导演):《回到勃艮第》(Ce qui nous lie)编剧:塞德里克·克拉皮什、圣地亚哥·阿米戈雷纳、让-马克·鲁洛特。出品方:cequi Me Meut Motion Pictures, StudioCanal, France 2 cin录影带。Music Box Pictures和StudioCanal International发行，2017年。1小时53分。
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引用次数: 0
摘要
塞德里克·克拉皮什(导演):《回到勃艮第》(Ce qui nous lie)编剧:塞德里克·克拉皮什、圣地亚哥·阿米戈雷纳、让-马克·鲁洛特。出品方:cequi Me Meut Motion Pictures, StudioCanal, France 2 cin录影带。Music Box Pictures和StudioCanal International发行，2017年。1小时53分。
Cedric Klapisch (Director): Back to Burgundy (Ce qui nous lie) Written by Cedric Klapisch, Santiago Amigorena, and Jean-Marc Roulot. Produced by Ce Qui Me Meut Motion Pictures, StudioCanal, and France 2 Cinéma. Distributed by Music Box Pictures and StudioCanal International, 2017. 1 h 53 min.
Cedric Klapisch (Director): Back to Burgundy (Ce qui nous lie) Written by Cedric Klapisch, Santiago Amigorena, and Jean-Marc Roulot. Produced by Ce Qui Me Meut Motion Pictures, StudioCanal, and France 2 Cinéma. Distributed by Music Box Pictures and StudioCanal International, 2017. 1 h 53 min.
期刊介绍：
The Journal of Wine Economics (JWE), launched in 2006, provides a focused outlet for high-quality, peer-reviewed research on economic topics related to wine. Although wine economics papers have been, and will continue to be, published in leading general and agricultural economics journals, the number of high-quality papers has grown to such an extent that a specialized journal can provide a useful platform for the exchange of ideas and results.
The JWE is open to any area related to the economic aspects of wine, viticulture, and oenology. It covers a wide array of topics, including, but not limited to: production, winery activities, marketing, consumption, as well as macroeconomic and legal topics. The JWE has been published twice a year and contains main papers, short papers, notes and comments, reviews of books, films and wine events, as well as conference announcements. From 2013 on, the JWE has been published three times per year.
The Journal of Wine Economics is fully owned by the American Association of Wine Economists (AAWE) and, since 2012, has been published by Cambridge University Press.
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