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引用次数: 0

摘要

本文利用女权主义的视角,对《如此黑暗与孤独的诅咒》和《破咒者》系列(Kemmerer 2019)以及《残忍的王子和空中的人》系列(Black 2018-2019)进行了细致的文本分析,以展示叙事中强制控制的元素是如何被原谅和最小化的。通过强调这些年轻成人奇幻小说中明显的后女权主义情感,本文认为女性主人公的特征是矛盾的。他们既被“授权”又被征服,然而这被选择和代理的修辞所削弱。作为女主人公,裘德和哈珀都拥有强健的体魄、智慧和幽默,这使她们具有代理和权力。然而,在他们的爱情和性关系的核心,他们都是强制控制的受害者。虽然这些小说表面上呈现了坚强的女性主角,但暗含的女性读者却倾向于原谅对这些后女权主义女主人公的代理、操纵甚至身体暴力的移除。
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Excusing Coercive Control in Popular Young Adult Fantasy Texts
This article utilises a feminist lens to conduct close textual analysis of A Curse So Dark and Lonely and the Cursebreaker series (Kemmerer 2019) and The Cruel Prince and the Folk of the Air series (Black 2018-2019) to demonstrate how elements of coercive control are excused and minimised in the narratives. By highlighting the postfeminist sensibility evident in these young adult fantasy novels, this article argues that female protagonists are characterised in contradictory ways. They are both ‘empowered’ and subjugated, yet this is diminished by a rhetoric of choice and agency. As female protagonists, Jude and Harper each possess physical strength, intelligence and humour which positions them as agential and empowered. Yet, at the core of their romantic and sexual relationships they are both victims of coercive control. While the novels ostensibly present strong female protagonists, implied girl readers are positioned to excuse the removal of agency, manipulation, and even physical violence towards these postfeminist heroines.
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Representation in Children’s Book Council of Australia Early Childhood and Picture Book Awarded Books (2018-2020) Foreword - 27.1 ‘Many a story is but a crooked way to the truth’? Excusing Coercive Control in Popular Young Adult Fantasy Texts Mirror, Mirror, Who’s the Greatest Power of them All?
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