{"title":"哈西德派后期的哈扎尼复兴","authors":"Dov Bergman","doi":"10.1163/18750214-bja10039","DOIUrl":null,"url":null,"abstract":"Abstract During the early stages of the Hasidic movement, a mixed sentiment towards hazanut (cantorial music) existed. However, a significant shift occurred during the later period of Hasidism. Embracing change, hazanim (cantors) started performing at Hasidic courts. With the rise of the ‘celebrity hazan ’ in the late 19th century, certain American Hasidic rebbes harnessed the widespread popularity of hazanut to advance philanthropic endeavors within the Hasidic world.","PeriodicalId":40667,"journal":{"name":"Zutot","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Hazanic Revival in Later Hasidism\",\"authors\":\"Dov Bergman\",\"doi\":\"10.1163/18750214-bja10039\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract During the early stages of the Hasidic movement, a mixed sentiment towards hazanut (cantorial music) existed. However, a significant shift occurred during the later period of Hasidism. Embracing change, hazanim (cantors) started performing at Hasidic courts. With the rise of the ‘celebrity hazan ’ in the late 19th century, certain American Hasidic rebbes harnessed the widespread popularity of hazanut to advance philanthropic endeavors within the Hasidic world.\",\"PeriodicalId\":40667,\"journal\":{\"name\":\"Zutot\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-10-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zutot\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18750214-bja10039\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zutot","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18750214-bja10039","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract During the early stages of the Hasidic movement, a mixed sentiment towards hazanut (cantorial music) existed. However, a significant shift occurred during the later period of Hasidism. Embracing change, hazanim (cantors) started performing at Hasidic courts. With the rise of the ‘celebrity hazan ’ in the late 19th century, certain American Hasidic rebbes harnessed the widespread popularity of hazanut to advance philanthropic endeavors within the Hasidic world.
期刊介绍：
Zutot: Perspectives on Jewish Culture aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. The Zutot covers Jewish culture in its broadest sense, i.e. encompassing various academic disciplines—literature, languages and linguistics, philosophy, art, sociology, politics and history—and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.
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