通过一个活跃的观察者统一阴影和纹理。

J Y Aloimonos
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引用次数: 4

摘要

阴影(图像强度的变化)为从单目视图中理解三维表面的形状提供了重要线索。另一方面,纹理(表面不连续的分布)是使用单眼图像恢复表面方向的强烈线索。但是,给定一个物体或场景的图像,我们应该使用什么技术来恢复图像的形状?从阴影中分辨形状需要了解成像表面的反射率,通常情况下,它是光滑的(即没有不连续)。从纹理确定形状需要了解表面标记的分布(即不连续)。人们可能会期望当另一种方法不起作用时,一种方法会起作用。我提出了一个理论,关于一个积极的观察者如何从物体或场景的图像中确定形状,而不管图像是阴影还是纹理,或者两者兼而有之,并且不需要任何反射图或表面标记分布的知识。这种方法是成功的,因为主动观察者能够操纵当前感知现象背后的约束,从而得出一个简单的解决方案。给出了真实图像和合成图像的实验结果。
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Unifying shading and texture through an active observer.

Shading (variations of image intensity) provides an important cue for understanding the shape of three-dimensional surfaces from monocular views. On the other hand, texture (distribution of discontinuities on the surface) is a strong cue for recovering surface orientation by using monocular images. But given the image of an object or scene, what technique should we use to recover the shape of what is image? Resolution of shape from shading requires knowledge of the reflectance of the imaged surface and, usually, the fact that it is smooth (i.e. it shows no discontinuities). Determination of shape from texture requires knowledge of the distribution of surface markings (i.e. discontinuities). One might expect that one method would work when the other does not. I present a theory on how an active observer can determine shape from the image of an object or scene regardless of whether the image is shaded, textured, or both, and without any knowledge of reflectance maps or the distribution of surface markings. The approach is successful because the active observer is able to manipulate the constraints behind the perceptual phenomenon at hand and thus derive a simple solution. Several experimental results are presented with real and synthetic images.

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来源期刊
Proceedings of the Royal Society of London Series B-Containing Papers of Abiological Character
Proceedings of the Royal Society of London Series B-Containing Papers of Abiological Character 生命科学, 发育生物学与生殖生物学, 发育生物学
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审稿时长
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