{"title":"贡献者","authors":"","doi":"10.1093/mts/mtaa027","DOIUrl":null,"url":null,"abstract":"<span>chelsea burns, Assistant Professor of Music Theory at the University of Texas at Austin, studies Latin American modernisms as well as bluegrass and country music. Her research focuses on analysis in context and the ethics of analysis as it relates to marginalized repertories. Recent articles have appeared in <span style=\"font-style:italic;\">Music Theory Online</span> and <span style=\"font-style:italic;\">Journal of Popular Music Studies</span>.</span>","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":null,"pages":null},"PeriodicalIF":1.6000,"publicationDate":"2021-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contributors\",\"authors\":\"\",\"doi\":\"10.1093/mts/mtaa027\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span>chelsea burns, Assistant Professor of Music Theory at the University of Texas at Austin, studies Latin American modernisms as well as bluegrass and country music. Her research focuses on analysis in context and the ethics of analysis as it relates to marginalized repertories. Recent articles have appeared in <span style=\\\"font-style:italic;\\\">Music Theory Online</span> and <span style=\\\"font-style:italic;\\\">Journal of Popular Music Studies</span>.</span>\",\"PeriodicalId\":44994,\"journal\":{\"name\":\"MUSIC THEORY SPECTRUM\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2021-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSIC THEORY SPECTRUM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/mts/mtaa027\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSIC THEORY SPECTRUM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/mts/mtaa027","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
chelsea burns, Assistant Professor of Music Theory at the University of Texas at Austin, studies Latin American modernisms as well as bluegrass and country music. Her research focuses on analysis in context and the ethics of analysis as it relates to marginalized repertories. Recent articles have appeared in Music Theory Online and Journal of Popular Music Studies.
期刊介绍：
A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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