{"title":"市中心的即兴神话与记忆：音乐场所、种族和地方的潜力","authors":"Amanda Scherbenske","doi":"10.1080/07494467.2023.2283274","DOIUrl":null,"url":null,"abstract":"In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":"1 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Improvising Myth and Memory Downtown: Music Venues, Race, and the Potential of Place\",\"authors\":\"Amanda Scherbenske\",\"doi\":\"10.1080/07494467.2023.2283274\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....\",\"PeriodicalId\":44746,\"journal\":{\"name\":\"Contemporary Music Review\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/07494467.2023.2283274\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2023.2283274","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Improvising Myth and Memory Downtown: Music Venues, Race, and the Potential of Place
In 2005, composer John Zorn founded a music venue dedicated to ‘the experimental and avant-garde’ on New York’s Lower East Side, an area known for underground arts but long undergoing reinvestment....
期刊介绍：
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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