从精神导师到教会之母:两位斯特拉斯堡女性的表演式和印刷式布道

Katherine Goodwin Lindgren
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引用次数: 0

摘要

本文比较了斯特拉斯堡中世纪晚期和现代早期妇女布道的模式。中世纪女性通过身体力行的奉献行为规避了对女性布道的性别限制。本文比较了奥滕堡的格特鲁德-里克尔代 (Gertrude Rickeldey of Ortenburg) 的具身布道和卡塔琳娜-舒兹-泽尔 (Katharina Schütz Zell) 的印刷布道,以探讨中世纪晚期和近代早期女性布道的变化与延续。利用贝弗利-基恩兹勒 (Beverly Kienzle) 对布道的定义和罗克珊-芒福德 (Roxanne Mountford) 的修辞空间概念,我确定了中世纪和近代早期女性遵从虔诚的性别制度的连续性。我还认为,新教改革将女性宗教权威的位置从体现虔诚转移到了印刷布道上,但这种方式体现了与中世纪女性布道传统的连续性。总之,本文展示了女性布道是如何在现代早期的神学和文化变革中持续存在的。
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From Spiritual Guide to Church Mother: The Performative and Printed Preaching of Two Strasbourg Women

This article compares late medieval and early modern patterns of women’s preaching in Strasbourg. Medieval women circumvented gendered restrictions against female preaching through performative acts of embodied devotion. This article compares the embodied sermons of Gertrude Rickeldey of Ortenburg and the printed sermons of Katharina Schütz Zell to discuss the change and continuity in late medieval and early modern women’s preaching. Using Beverly Kienzle’s definition of the sermon and Roxanne Mountford’s concept of rhetorical space, I identify continuity in both’s women’s conformity to gendered regimes of piety. I also argue that Protestant reform shifted the location of female religious authority from embodied piety to printed sermons, but in a way that reflects a continuity with medieval traditions of female preaching. Overall this article demonstrates how women’s preaching persisted within the theological and cultural changes of the early modern period.

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