{"title":"历史科学与视觉转向:感知的特征","authors":"V. G. Korzh","doi":"10.25205/2541-7517-2023-21-2-26-35","DOIUrl":null,"url":null,"abstract":"The paper analyzes a complex of methodological problems associated with the visual turn in modern historical science, as well as the peculiarities of the perception of the historical past and the organization of history teaching in modern culture and in the system of historical education. The analysis evaluates the prospects of already existing approaches in philosophy in the development of problems of the visual. The ideas of Maurice Merleau-Ponty on the phenomenology of perception, with his emphasis on the “physical presence” of a body in the process of perception, are proposed as a significant source for the reflection on the visual. The involvement of visual elements in the historical narrative, as shown in the article, complicates the methodology and practice of source criticism, while at the same time allowing historical science to make its contribution to understanding the image as such.","PeriodicalId":240316,"journal":{"name":"Siberian Journal of Philosophy","volume":"110 33","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Historical science and the visual turn: features of perception\",\"authors\":\"V. G. Korzh\",\"doi\":\"10.25205/2541-7517-2023-21-2-26-35\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper analyzes a complex of methodological problems associated with the visual turn in modern historical science, as well as the peculiarities of the perception of the historical past and the organization of history teaching in modern culture and in the system of historical education. The analysis evaluates the prospects of already existing approaches in philosophy in the development of problems of the visual. The ideas of Maurice Merleau-Ponty on the phenomenology of perception, with his emphasis on the “physical presence” of a body in the process of perception, are proposed as a significant source for the reflection on the visual. The involvement of visual elements in the historical narrative, as shown in the article, complicates the methodology and practice of source criticism, while at the same time allowing historical science to make its contribution to understanding the image as such.\",\"PeriodicalId\":240316,\"journal\":{\"name\":\"Siberian Journal of Philosophy\",\"volume\":\"110 33\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Siberian Journal of Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25205/2541-7517-2023-21-2-26-35\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Siberian Journal of Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25205/2541-7517-2023-21-2-26-35","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Historical science and the visual turn: features of perception
The paper analyzes a complex of methodological problems associated with the visual turn in modern historical science, as well as the peculiarities of the perception of the historical past and the organization of history teaching in modern culture and in the system of historical education. The analysis evaluates the prospects of already existing approaches in philosophy in the development of problems of the visual. The ideas of Maurice Merleau-Ponty on the phenomenology of perception, with his emphasis on the “physical presence” of a body in the process of perception, are proposed as a significant source for the reflection on the visual. The involvement of visual elements in the historical narrative, as shown in the article, complicates the methodology and practice of source criticism, while at the same time allowing historical science to make its contribution to understanding the image as such.