画出看法:利用绘画了解公众对无家可归者和犯罪的看法

IF 1.5 Q2 CRIMINOLOGY & PENOLOGY International Review of Victimology Pub Date : 2023-12-18 DOI:10.1177/02697580231215439
Fiona Catherine Long
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引用次数: 0

摘要

本文探讨了我们作为一个社会看待犯罪受害者的方式,特别是那些属于米尔斯 "犯罪受害者 "类别的人。文章以英国的无家可归者为研究对象,对 "受害者 "这一标签进行了批判,认为这一标签与真正的犯罪受害者并不相符,但却产生了我们所看到的受害者以及我们所看不到的受害者。虽然无家可归者的受害程度更高,但他们获得受害者身份的可能性也更小。下面的讨论试图将这一悖论合理化,认为被视为无家可归者与被视为受害者在某种程度上是不相容的。鉴于视觉的重要性,我们采用绘画作为研究方法来了解公众对无家可归者和犯罪的看法。由此产生的视觉表征是意料之外的,但却意义重大,往往完全忽略了犯罪部分,而将重点放在对无家可归者的刻板印象上。文章最后强调了观察的重要性,并提出了未来研究的方向。
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Drawing out perceptions: Using drawing as a method to understand public perceptions of homelessness and crime
This article considers the ways in which we as a society see victims of crime, particularly those who fall into Miers’ category of ‘delinquent victims’. Focusing on homelessness in the United Kingdom, the article is critical of the ‘victim’ label, which is arguably at odds with real crime victims, yet produces the victims we do see as well as those we do not. While those experiencing homelessness suffer from heightened levels of victimisation, they are also less likely to attain victim status. The following discussion seeks to rationalise this paradox by suggesting that being seen as homeless is somehow incompatible with being seen as a victim. Given the importance of the visual, drawing is employed as a research method to understand public perceptions of homelessness and crime. The resulting visual representations are unanticipated, yet significant, and often omit the crime component entirely, instead focusing on stereotypical representations of homelessness. The article concludes by emphasising the importance of seeing and suggests directions for future research.
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来源期刊
International Review of Victimology
International Review of Victimology CRIMINOLOGY & PENOLOGY-
CiteScore
3.10
自引率
13.30%
发文量
30
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