阿齐萨-努尔独立漫画《小屋》和《留下》中的摄影图像

Specta Pub Date : 2023-11-30 DOI:10.24821/specta.v7i2.10956
Terra Bajraghosa
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摘要

独立漫画《小屋》和《留守》中的摄影表现,作者:Azisa Noor。独立漫画是由创作者自己创作和出版的漫画,与出版商的利益无关。多部独立漫画使用摄影图画或摄影图像等元素展现了一系列视觉叙事。有关摄影图像是代表摄影媒体的说明性描绘,而不是使用摄影技术的场景可视化技术。本研究旨在调查摄影图像在印尼独立漫画视觉叙事中的报告和功能,尤其是在阿兹莎-努尔的作品中;采用目的性抽样技术选取了《小屋》(2016 年)和《留守》(2017 年)。研究采用定性方法,以马里奥-萨拉切尼漫画语言的符号学为基础进行文本分析,在此基础上以描述性的方式呈现了
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CITRA FOTOGRAFIS DALAM KOMIK MANDIRI “CABIN” DAN “LEFT BEHIND” KARYA AZISA NOOR
Photographic Representation in Independent Comic “Cabin” and “Left Behind” by Azisa Noor. Independent comics are comics created and published by the creators themselves and are not tied to the publisher's interests. Several independent comics present a series of visual narratives using elements like photograph drawings or photographic imageries. The photographic imagery in question is an illustrative depiction representing photographic media, not a scene visualization technique using photographic techniques. This research aimed to investigate the report and function of photographic imageries in the visual narrative of independent comics in Indonesia, especially in the work of Azisa Noor; Cabin (2016) and Left Behind (2017) were selected using a purposive sampling technique. The research used qualitative methods, with textual analysis based on the semiotics of Mario Saraceni's comic language, which is presented descriptively based on a
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DESKRIPSI ETNOGRAFIS KEBIASAAN MENGINANG DI GUNUNGKIDUL DALAM FOTO DOKUMENTER FOTOGRAFI PADA ERA DISRUPSI: ARTIFICIAL INTELLIGENCE SEBAGAI REFERENSI DALAM MENGEMBANGKAN IDE KREATIF FOTOGRAFI PERUBAHAN LANSKAP KREATIF DAN DIALOG ETIKA DALAM FOTOGRAFI: PENGARUH KECERDASAN BUATAN PEREMPUAN BERAMBUT KERITING DALAM FOTOGRAFI POTRET MEASURING THE AESTHETICS OF PHOTOGRAPHIC COMPOSITION USING CARTESIAN COORDINATE APPROACH TO PROVE VISUAL BALANCE
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