分析将漫画《木叶之恋》改编成大银幕动画电影《木叶之恋》:从摄影机角度看《武神别传

Muhammad Fatahilah Syam
{"title":"分析将漫画《木叶之恋》改编成大银幕动画电影《木叶之恋》:从摄影机角度看《武神别传","authors":"Muhammad Fatahilah Syam","doi":"10.24821/sense.v6i2.10958","DOIUrl":null,"url":null,"abstract":"Analysis of Manga Adaptation into Feature-length Anime Film: Kimetsu no Yaiba Manga to Kimetsu no Yaiba: Mugen Train Anime Film, Examining the Aspect of Camera Angles . Manga and feature-length anime films have distinct differences in conveying stories visually. This study aims to examine the disparities in the adaptation of the “Kimetsu no Yaiba” manga into the “Kimetsu no Yaiba: Mugen Ressha-Hen” anime film. A qualitative descriptive research method was employed, focusing on the aspect of camera angles. The research objects encompassed the manga and the anime film. The findings revealed that the manga-to-anime adaptation led to changes in camera angles, including scaling down, adding, and varying modifications. However, despite the alterations in camera angles, the emphasis on scenes did not significantly alter the narrative flow from the manga to the feature film. These disparities can be attributed to the divergent nature of the manga and feature-length anime mediums. This research contributes to a deeper understanding of the importance of camera angles in adaptation and their role in preserving the core essence of the story.","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Analisis Ekranisasi Manga “Kimetsu No Yaiba” ke dalam Film Anime Layar Lebar “Kimetsu No Yaiba: Mugen Reshha-Hen” Ditinjau dari Aspek Angle Kamera\",\"authors\":\"Muhammad Fatahilah Syam\",\"doi\":\"10.24821/sense.v6i2.10958\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Analysis of Manga Adaptation into Feature-length Anime Film: Kimetsu no Yaiba Manga to Kimetsu no Yaiba: Mugen Train Anime Film, Examining the Aspect of Camera Angles . Manga and feature-length anime films have distinct differences in conveying stories visually. This study aims to examine the disparities in the adaptation of the “Kimetsu no Yaiba” manga into the “Kimetsu no Yaiba: Mugen Ressha-Hen” anime film. A qualitative descriptive research method was employed, focusing on the aspect of camera angles. The research objects encompassed the manga and the anime film. The findings revealed that the manga-to-anime adaptation led to changes in camera angles, including scaling down, adding, and varying modifications. However, despite the alterations in camera angles, the emphasis on scenes did not significantly alter the narrative flow from the manga to the feature film. These disparities can be attributed to the divergent nature of the manga and feature-length anime mediums. This research contributes to a deeper understanding of the importance of camera angles in adaptation and their role in preserving the core essence of the story.\",\"PeriodicalId\":326029,\"journal\":{\"name\":\"Sense: Journal of Film and Television Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sense: Journal of Film and Television Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24821/sense.v6i2.10958\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sense: Journal of Film and Television Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24821/sense.v6i2.10958","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

将漫画改编为动画长片的分析:从《木叶之风》漫画到《木叶之风:木槿列车》动画电影,审视摄影机角度的角度 .漫画和长篇动画电影在视觉传达故事方面存在明显差异。本研究旨在探讨将《君越八叶》漫画改编为动画电影《君越八叶:武神列传》的过程中存在的差异。本研究采用了定性描述研究方法,重点关注摄影机角度方面。研究对象包括漫画和动画电影。研究结果表明,漫画到动画的改编导致了镜头角度的变化,包括缩小、增加和各种修改。然而,尽管拍摄角度有所改变,但从漫画到故事片的叙事流程中,场景的重点并没有明显改变。这些差异可归因于漫画和长篇动画媒介的不同性质。这项研究有助于加深理解摄影机角度在改编中的重要性及其在保留故事核心本质方面的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Analisis Ekranisasi Manga “Kimetsu No Yaiba” ke dalam Film Anime Layar Lebar “Kimetsu No Yaiba: Mugen Reshha-Hen” Ditinjau dari Aspek Angle Kamera
Analysis of Manga Adaptation into Feature-length Anime Film: Kimetsu no Yaiba Manga to Kimetsu no Yaiba: Mugen Train Anime Film, Examining the Aspect of Camera Angles . Manga and feature-length anime films have distinct differences in conveying stories visually. This study aims to examine the disparities in the adaptation of the “Kimetsu no Yaiba” manga into the “Kimetsu no Yaiba: Mugen Ressha-Hen” anime film. A qualitative descriptive research method was employed, focusing on the aspect of camera angles. The research objects encompassed the manga and the anime film. The findings revealed that the manga-to-anime adaptation led to changes in camera angles, including scaling down, adding, and varying modifications. However, despite the alterations in camera angles, the emphasis on scenes did not significantly alter the narrative flow from the manga to the feature film. These disparities can be attributed to the divergent nature of the manga and feature-length anime mediums. This research contributes to a deeper understanding of the importance of camera angles in adaptation and their role in preserving the core essence of the story.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Efektivitas Teknik Pembacaan Narasi Visual dalam Pemutaran Film untuk Disabilitas Netra Perubahan Karakter Tokoh Humbert dan Lolita menurut Struktur Cerita oleh Nick Lacey pada Film ‘Lolita’ (1997) Dominasi Kuasa Kapitalis terhadap Buruh dalam Plot Film Sorry to Bother You Ditinjau melalui Semiotika John Fiske Analisis Ekranisasi Manga “Kimetsu No Yaiba” ke dalam Film Anime Layar Lebar “Kimetsu No Yaiba: Mugen Reshha-Hen” Ditinjau dari Aspek Angle Kamera Analisis Perubahan Sifat Karakter Berdasarkan Tahap Cerita Dalam Film “Jumanji: Welcome To The Jungle”
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1