18 世纪拉芙拉圣像绘画作坊图纸中的乌克兰宗教肖像图解

Q4 Arts and Humanities Arta Pub Date : 2023-09-01 DOI:10.52603/arta.2023.32-1.04
Taras Veremeienko
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引用次数: 0

摘要

文章以 18 世纪基辅-佩切尔斯克修道院圣像绘画工作室的档案文件和图纸为基础,主要分析了作者的题词以及乌克兰巴洛克风格中的乌克兰元素。作者介绍了该主题的研究水平。研究表明,拉弗拉圣像绘画工作室在圣像绘画教学方面具有很高的水平。1763 年,拉芙拉工作室转变为一所 "学校"。学校的管理者不仅要监督一般情况,还要教授圣像绘画。学生分为两组:一组是学徒,另一组是学生。修道院的学生根据西方书籍进行学习。作者以几幅画为例,展示了宗教题材的独特性,其中一个特点是以典型的乌克兰方式绘制圣人形象。
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Iconography of Ukrainian religious portraits in the drawings of the Lavra icon-painting workshop of the 18th century
Based on archival documents and drawings of the icon-painting workshop of the Kyiv-Pechersk Lavra in the 18th century, the article analyzes mainly the inscriptions made by the authors and also the Ukrainian element in the Ukrainian baroque. The author presents the level of research on this topic. It is established that the Lavra icon-painting workshop had a high level of teaching the icon-painting science. In 1763, the Lavra workshop was transformed into a “school”. The administrators of the school not only monitored the general conditions, but also taught icon-painting. The students were divided into 2 groups: one group consisted of apprentices, the other of pupils. The students in the Lavra studied according to Western books. On the example of several drawings, the author shows the uniqueness of religious subjects, one of the features of which was to paint the image of saints in a typical Ukrainian manner.
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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