拉丁美洲侦探对抗权力:犯罪小说中的个人主义、国家和失败》,作者 Fabricio Tocco(评论)

IF 0.9 Q3 GEOGRAPHY Journal of Latin American Geography Pub Date : 2023-09-01 DOI:10.1353/lag.2023.a909096
Dave McLaughlin
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引用次数: 0

摘要

三岁的弗朗西斯-肯特(Francis Kent)被谋杀,乔纳森-威彻(Jonathan Whicher)探长正确指认中产阶级康斯坦丝-肯特(Constance Kent)是杀害她同父异母兄弟的凶手,这两件事两次打破了英国乡村的平静。在这一残酷的事件中,当地的资产阶级拒绝接受自己人可能是凶手的事实,这可以说为 19 世纪余下的英国警务工作定下了文化基调--即使不是在事实上,也肯定是在小说中。在当代关于犯罪和警察的文化表述中--包括所谓黄金时代最著名的文学侦探,如夏洛克-福尔摩斯、赫尔克里-波洛,甚至菲利普-马洛--官方警察总是最后的避难所,而中产阶级则对像现实中的惠舍探长这样的侦探保持怀疑,并照顾他们自己的人。法布里西奥-托科(Fabricio Tocco)在《拉丁美洲反权力侦探》(Latin American Detectives Against Power)一书中也认为,侦探小说源于这些英美文学。The Indigenous paradox: Rights, sovereignty, and culture in the Americas.宾夕法尼亚大学出版社。
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Latin American Detectives Against Power: Individualism, the State, and Failure in Crime Fiction by Fabricio Tocco (review)
countryside was shattered twice—first by the murder of three-year old Francis Kent; second by Inspector Jonathan Whicher’s correct identification of middle-class Constance Kent as her half-brother’s murderer. This brutal episode, in which the local bourgeoisie refused to accept that one of their own could be a murderer, arguably set a cultural tone in English policing for the rest of the nineteenth century—if not in fact, then certainly in fiction. In contemporary cultural representations of crime and policing—including the most famous literary sleuths of the so-called Golden Era, such as Sherlock Holmes, Hercule Poirot, and even Philip Marlowe—the official police are invariably a last port of call, while the middle classes remain suspicious of detectives like the real-life Inspector Whicher and look after their own. In Latin American Detectives Against Power, Fabricio Tocco agrees that detective fiction has its roots in these Anglo-AmeriReferences Bens, J. (2020). The Indigenous paradox: Rights, sovereignty, and culture in the Americas. University of Pennsylvania Press.
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