视觉艺术机构参观者参与文化活动的动机、态度和习惯

Sara Ursić
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摘要

在本文中,我们分析了作为日常生活组成部分的文化,以及通过文化参与实现文化的方式。本文介绍的研究是 "日常设计中心 "项目的一部分,该项目旨在探索以参与式民主模式为基础的文化参与治理新模式的现状和可能性。这项研究旨在对两年内两次文化参与状况进行评估,其目的是确定在旨在加强参与式管理模式的举措前后,文化事件和活动的参与类型和参与动机是否存在差异。本文借鉴了三个概念转向,即后现代、文化和参与性,来研究文化参与在日常生活中的重新定位。2018 年和 2020 年进行了两次调查,调查对象是视觉艺术领域的文化机构和协会的访问者。鉴于时间框架的特殊性,调查结果将在大流行病的背景下进行解读。结果表明,与文化消费相关的文化参与正在加强,而与文化生产相关的参与正在减少。此外,数字和虚拟环境中的互动文化参与显示出不同社会群体之间的不平等,尤其是在涉及老年人群时,事实证明老年人群在互动文化参与的频率和可用性方面处于弱势地位。 关键词:文化参与;参与性文化;游客;视觉艺术机构;克罗地亚
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MOTIVATION, ATTITUDES AND HABITS IN CULTURAL PARTICIPATION AMONG VISITORS TO VISUAL ARTS INSTITUTIONS
In this paper we analyze culture as integral aspect of everyday life and the ways culture is actualized through cultural participation. The research presented in this paper is part of the Center for Designing the Everyday project, which aims to explore the current state and possibilities for establishing a new model of participatory governance in culture based on the model of participatory democracy. In this research, designed and conducted to assess the state of cultural participation at two intervals over a two-year period, the aim was to determine whether there are differences in the types of participation and motivations for participation in cultural events and activities before and after initiatives aimed at reinforcing the model of participatory governance. The paper draws on three conceptual turns, namely postmodern, cultural, and participatory, to examine the repositioning of cultural participation in everyday life. Two surveys were undertaken in 2018 and 2020, targeting an intentional sample of visitors to cultural institutions and associations operating in the field of visual arts. Given the specific timeframe, the results are interpreted in the context of the pandemic. Results imply strengthening of cultural participation connected to cultural consumption, while participation connected to cultural production is decaling. Furthermore, interactive cultural participation in digital and virtual environment indicates inequalities among different social groups especially when it comes to elderly population that has proven to be vulnerable in terms of frequency and availability of interactive cultural participation. Keywords: cultural participation; participatory culture; visitors; visual art institutions; Croatia
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Hum
Hum
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INTENZITET NARATIVNOGA ISKUSTVA TIJEKOM BINGE-WATCHINGA ULOGA ODNOSA S JAVNOŠĆU I KANALA INFORMIRANJA U PROMOVIRANJU OS BIH U SVRHU ZAPOŠLJAVANJA MLADIH INSTRUKTIVNA METODA NASTAVE ENHANCING EMOTIONAL VOCABULARY FOR PSYCHOLOGICAL LITERACY SLOBODA POJEDINCA U LIBERALNOJ TEORIJI
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